10 Best Cannes Film Festival Lineups, Ranked


If there was any competitor for the most important film occasion of the 12 months, the Cannes Film Festival provides the Academy Awards a run for its cash. Founded in 1946, the annual journey on the French Riviera is likely one of the most celebrated and necessary movie festivals on the earth. The pageant’s quiet roots as a car for European cinema slowly developed right into a monolithic occasion of summer season blockbusters, Oscar hopefuls, and world cinema treasures.

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As the pageant gained stature, the lineups expanded with them. What started as a choice of 45 movies in competitors morphed into the official choices of In Competition, Out of Competition, and Un Certain Regard (films of originality), plus parallel choices of Critics Week (debut and sophomore options) and Directors’ Fortnight (an avant-garde breeding floor for the official choice). With 77 festivals to select from, listed below are the 10 Best Cannes Film Festival Lineups.

10 1983

Lineup contains: ‘The King of Comedy,’ ‘Nostalghia,’ and ‘L’Argent’

Rupert Pupkin bowing for an audience in 'The King of Comedy.'
Image by way of twentieth Century Studios

1983 was a transition 12 months on the Croisette. The pageant showcased movies within the Palais des Festivals et des Congres (nicknamed The Bunker) for the primary time, and the attitudes at cinema’s business potential had been frivolous at finest. Martin Scorsese’s The King of Comedy, which flopped on the field workplace however is now seen as certainly one of his underrated masterpieces, opened the pageant in competitors. Scorsese needed to go up in opposition to Carmen from Spanish auteur Carlos Saura, Merchant Ivory’s breakout Heat and Dust, Nagisa Oshima’s English-language Merry Christmas Mr. Lawrence, and Peter Weir’s The Year of Living Dangerously. Fans of David Bowie acquired an opportunity to see him once more in Tony Scott’s cult hit The Hunger out of competitors plus the blockbuster thriller WarVideo games because the closing movie.

If there was any memorable second to say, it is the awards ceremony. While the Palme d’Or was awarded to Japanese New Wave director Shohei Imamura for his movie The Ballad of Narayama, Jury President William Styron admitted that Monty Python’s The Meaning of Life had essentially the most assist from the jury, successful the Grand Prix as runner-up, which is so far the one movie from a sketch comedy troupe to be awarded at Cannes. The most iconic second, nevertheless, was Orson Welles asserting the Best Director award to Robert Bresson for L’Argent, and Andrei Tarkovsky for Nostalghia, with a snapshot image of the three legends collectively on stage. 1983 was not a horny lineup, nevertheless it was an ideal mix of the artwork classics and business movies that Cannes is now recognized for.

9 1971

Lineup embody: ‘Gimme Shelter,’ ‘THX 1138,’ ‘The Panic in Needle Park’

James Earl Jones in 'Gimme Shelter'
Image by way of Roadside Attractions

Cannes was gradual to embrace Hollywood within the pageant for plenty of years. No American movie had received the Palme d’Or for 11 years till Robert Altman’sMASH received in 1970. For a movie that bawdy and reckless, to win a prestigious prize confirmed that each one bets had been off. Anything goes now at Cannes. The Maysles Brothers and Charlotte Zwerin’sGimme Shelter opened out of competitors, diving into the Rolling Stones’ notorious 1969 US tour and Altamont Free Concert. In competitors was a group of frank political and societal movies throughout the spectrum, together with Luchino Visconti’sDeath in Venice, Jack Nicholson’sDrive, He Said, Louis Malle’sMurmur of the Heart, Jerry Schatzberg’sThe Panic in Needle Park, and Nicolas Roeg’sWalkabout. Directors Fortnight featured the equally thematic movies THX 1138 by George Lucas, The Ceremony by Oshima, and Barbara Loden’sWanda.

Tying for the Grand Prix was Dalton Trumbo’sJohnny Got His Gun and Milos Forman’sTaking Off. Trumbo was one of many Hollywood Ten who had been blacklisted by the House of Un-American Activities Committee as a part of the Second Red Scare and subsequently broke the blacklist by getting display screen credit score for Spartacus. Taking Off was Forman’s touchdown in America after a profitable profession in Czechoslovakia and set the groundwork for Forman to direct One Flew Over the Cuckoo’s Nest. The Go-Between by Joseph Losey was awarded the Palme d’Or and marked the excessive level of the American expat’s profession. The lineup pushed Cannes into a brand new period of programming, unafraid to point out movies about topical points three years faraway from the May 1968 protests.

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8 1986

Lineup embody: ‘After Hours,’ ‘The Sacrifice,’ ‘Hannah and Her Sisters’

Griffin Dunne as Paul Hackett and Teri Garr as Julie in After Hours
Image by way of Warner Bros. 

1986, in a nutshell, was a altering of the guard. A hand off from the previous to the brand new. In competitors, you had established titans: Scorsese’s wacky thriller After Hours, Altman’s underappreciated Fool for Love, and Andrei Konchalovsky’sRunaway Train, blended in with some new blood within the type of Jim Jarmusch’sDown by Law and Neil Jordan’sMona Lisa. The out of competitors choice featured Steven Spielberg’sThe Color Purple, Woody Allen’sHannah and Her Sisters, and pictures from Welles’ unfinished Don Quixote. In the opposite sections, the brand new wave was hitting. Jane Campion showcased three quick movies and her debut function Two Friends within the Un Certain Regard part. Alex Cox’sSid and Nancy, Lizzie Borden’sWorking Girls, and Spike Lee’s seminal She’s Gotta Have It all premiered on Directors’ Fortnight.

But the speak of the pageant was Tarkovsky’s last movie, The Sacrifice. Unable to attend as a consequence of lung most cancers, there was an expectation that the movie would win the Palme d’Or as a last triumph for the Russian auteur. However, jury president Sydney Pollack awarded it the second-place Grand Prix. Instead, the Palme d’Or went to Roland Joffe’sThe Mission, these days thought-about one of many extra underwhelming movies to win the award. The 1986 lineup could also be top-heavy, nevertheless it’s status as a transitory pageant earns it a spot within the Top 10.

7 2017

Lineup contains: ‘Twin Peaks: The Return,’ ‘The Florida Project,’ ‘Good Time’

Bria Vinaite pushing a cart with Brooklynn Prince seated inside on a cropped poster of The Florida Project
Image by way of A24

The most up-to-date pageant on this listing, 2017, was a crossroads for Cannes programming. For the primary time of their historical past, streaming companies had a big presence on the pageant. Todd HaynesWonderstruck and Lynne Ramsay’sYou Were Never Really Here had been co-distributed by Amazon Studios, albeit with theatrical releases from Roadside Attractions and StudioCanal respectively. But essentially the most controversy got here from Netflix, who distributed Bong Joon-ho’sOkja and Noah Baumbach’sThe Meyerowitz Stories with little theatrical launch. Jury President Pedro Almodovar clashed with pageant heads over the inclusion of Netflix, saying that movies at Cannes needs to be on large screens, not on-line. Ironically, David Lynch’sTwin Peaks: The Return premiered with little controversy regardless of being made for tv.

A24 had a spectacular run, showcasing the Safdie Brothers’Good Time, Yorgos Lanthimos’The Killing of a Sacred Deer, and Sean Baker’sThe Florida Project. Yellowstone creator Taylor Sheridan showcased his function debut Wind River within the Un Certain Regard part, Dave McCary (aka Emma Stone’s husband) premiered Brigsby Bear at Critics Week, and Chloé Zhao and Claire Denis introduced their movies The Rider and Let the Sunshine In to Directors Fortnight. The two greatest winners had been Sofia Coppola, who received Best Director for The Beguiled and turned the second lady on the time to win the award, and Ruben Ostlund, whose movie The Square received his first of two Palme d’Ors. When streamers started dominating the waves, Cannes’ programming stood steadfast and dedicated to the theater expertise, together with enacting a rule that each one movies chosen will need to have French distribution, thereby ending Netflix’s future with the pageant.

6 1974

Lineup contains: ‘The Conversation,’ ‘Ali: Fear Eats the Soul,’ and ‘Mean Streets’

Robert De Niro and David Proval next to each other in a bar in Mean Streets
Image by way of Warner Bros. 

The years of 1974-75 are thought-about to be the height years of the New Hollywood period. Cannes’ lineup for the 1974 pageant was consultant of its recognition. Francis Ford Coppola’sThe Conversation, Hal Ashby’sThe Last Detail, Spielberg’s The Sugarland Express, and Altman’s Thieves Like Us premiered in competitors, with Coppola successful the Palme d’Or for the primary time. The Vietnam War documentary Hearts and Minds premiered as a part of Critics Week and Scorsese’s breakout movie Mean Streets was a part of Directors Fortnight.

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That’s to not say that it was a crimson, white, and blue pageant (technically it’s, because it’s in France). Federico Fellini’s sprawling comedy Amarcord opened the pageant, whereas Rainer Werner Fassbinder’s masterpiece Ali: Fear Eats the Soul, Alain Resnais’Stavisky (with music from Stephen Sondheim), and Pier Paolo Pasolini’s Grand Prix winner Arabian Nights competed in competitors. Bresson’s Lancelot du Lac obtained an out of competitors slot, whereas French New Wave auteur Jacques Rivette premiered his seminal work Celine and Julie Go Boating in Directors Fortnight and Victor Erice confirmed The Spirit of the Beehive in Critics Week. 1974 was Cannes’ true acceptance Hollywood as equal rivals in world cinema. They have not regarded again since.

5 1992

Lineup contains: ‘Reservoir Dogs,’ ‘Twin Peaks: Fire Walk with Me,’ and ‘Beauty and the Beast’

Belle wants adventure in the great wide somewhere
Image by way of Disney

With a brand new era of subversive filmmakers on the rise, Cannes dove head first into the indie scene, with loads of baggage hooked up outdoors the premiere of Beauty and the Beast. After practically 12 years outdoors the studio system, Altman returned to prominence along with his Hollywood satire The Player and a Best Director award, whereas lead actor Tim Robbins premiered his debut Bob Roberts as a part of Directors’ Fortnight. Indie favourite Hal Hartley premiered Simple Men in competitors, differing from Lynch’s Twin Peaks: Fire Walk with Me, which reportedly obtained loud and jeering boos from the viewers, although there was some denial of it taking place. If something, audiences had been served a potpourri of shock worth, with Quentin Tarantino’sReservoir Dogs, Abel Ferrara’sBad Lieutentant, and Paul Verhoeven’s Basic Instinct receiving visceral reactions.

While Indiewood was booming, the remainder of the world matched the slate. James Ivory’sHowards End and Terence Davies’The Long Day Closes premiered in competitors. Abbas Kiarostami’sLife, and Nothing More… and Baz Luhrmann’s debut Strictly Ballroom competed in Un Certain Regard. The Belgian crime mockumentary Man Bites Dog obtained excessive reward from Tarantino and Michael Haneke continued to spook audiences with Benny’s Video. But none of those received the Palme d’Or. That went to The Best Intentions, directed by earlier winner Bille August and penned by a retired Ingmar Bergman. On the heels of worldwide political change, Cannes was not afraid to e-book unorthodox movies, and 1992 was little question a style of future subversions to return.

4 2000

Lineup contains: ‘O Brother, Where Art Thou?,’ ‘Requiem for a Dream,’ and ‘In the Mood for Love’

Marion (left), played by Jennifer Connolly, lies on the ground with Harry (right), played by jared Leto laying upside-down next to her. They are surrounded by discarded photos on the floor
Image by way of Artisan Entertainment

The first pageant of the twenty first century signaled new stylistic instructions in cinema. Avant-garde heavyweights Haneke (Code Unknown),Roy Andersson (Songs from the Second Floor), and Edward Yang (Yi Yi) premiered as a part of the competitors. The Coen Brothers’O Brother, Where Art Thou? showcased the way forward for digital colour correction in filmmaking. Ang Lee’sCrouching Tiger, Hidden Dragon introduced wuxia again into the mainstream, whereas Darren Aronofsky’sRequiem for a Dream and Agnes Varda’sThe Gleaners and I broke boundaries in modifying and documentaries. The actual occasion, although, was the awaited screening of Wong Kar-wai’sIn the Mood for Love, which apparently was edited proper till the morning of the premiere.

In the parallel sections, Alejandro Gonzalez Iñarritu debuted Amores perros as a part of Critics Week, whereas Directors Fortnight featured Karyn Kusama’sGirlfight, Lee Chang-dong’s underrated Peppermint Candy, Bela Tarr’sWerckmeister Harmonies, and Billy Elliot beneath a unique title ‘Dancer.’ The title was modified to keep away from confusion with that 12 months’s Palme d’Or winner, Lars von Trier’s HIGHLY controversial Dancer within the Dark, that additionally made Björk a family title. The mixture of latest filmmakers and new concepts of filmmaking made Cannes not solely a pageant for greatness, however a pageant of the longer term.

3 1963

Lineup contains: ‘The Birds,’ ‘8 1/2,’ and ‘Harakiri’

(*10*)Bids attacking children in The Birds
Image by way of Universal-International Pictures

Earlier editions of the Cannes Film Festival are at an obstacle as a result of the variety of movies proven was significantly lower than right this moment. The 1963 pageant, nevertheless, stands tall for what number of high quality movies had been proven. The two out of competitors movies ALONE are masterworks: The Birds by Alfred Hitchcock, and 8 1/2 by Fellini. It will get higher with competitors movies. Harakiri by Masaki Kobayashi. Peter Brook’sLord of the Flies. This Sporting Life by Lindsay Anderson. Robert Mulligan’sTo Kill a Mockingbird. Robert Aldrich’sWhat Ever Happened to Baby Jane? That’s an insane lineup.

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Harakiri was awarded the Jury Prize, which was on the time the second place prize. So who received the Palme d’Or? Luchino Visconti’s The Leopard. The 185-minute epic wowed Europe with its dazzling set items and a lead efficiency by Burt Lancaster. With the lineup aided by early movies by Ermanno Olmi, Denys Arcand, The Maysles Brothers, Chris Marker, and Adolfas Mekas’Hallelujah the Hills, 1963 was a watershed second for Cannes. A superb choice of seminal works ranging in model and setting.

2 1996

Lineup contains: ‘Fargo,’ ‘Trainspotting,’ and ‘Crash’

Marge looking up in frustration in Fargo.
Image by way of Gramercy Pictures

The 1996 pageant was a excessive level within the merging of mainstream and unbiased cinema. The Coens’ Fargo, Hou Hsiao-hsien’sGoodbye South, Goodbye, and Aki Kaurismaki’sDrifting Clouds all premiered in competitors. Un Certain Regard featured French auteur Eric Rohmer’sA Summer’s Tale and Olivier Assayas’Irma Vep, plus a plethora of debuts from Mary Harron (I Shot Andy Warhol), Al Pacino (Looking for Richard), and Paul Thomas Anderson (Hard Eight). Add in Greg Mottola’sThe Daytrippers within the Critics Week part, Lone Star by John Sayles and La Promesse by the Dardenne Brothers in Directors Fortnight, a breakout screening of Trainspotting and David O. Russell’sFlirting with Disaster closing, that’s one behemoth of a movie pageant.

Mike Leigh’s magnum opus Secrets & Lies received the Palme d’Or that 12 months, however anybody who is aware of in regards to the 1996 pageant is aware of this circus of controversy, this time surprisingly not involving Lars von Trier. While his worldwide breakout movie Breaking the Waves paraded across the Croisette with the Grand Prix, a feud was allegedly rising between the jury and Canadian filmmaker David Cronenberg. At the awards ceremony, jury president Francis Ford Coppola introduced Cronenberg’s movie Crash because the recipient of a Special Jury Prize, but additionally talked about that members “abstained very passionately.” Cronenberg says that Coppola was in opposition to the award and that he personally refused to current him the award. In hindsight, the 1996 pageant is an ideal encapsulation of how a near-perfect lineup makes cinema so enamoring; skilled filmmakers can disagree on style, so long as everybody will get a seat on the desk.

1 2009

Lineup contains: ‘Inglourious Basterds,’ ‘Up,’ and ‘Antichrist’

Christoph Waltz sitting on a chair and looking at Léa Seydoux in Inglorious Basterds.
Image by way of Universal Studios

Words can very hardly ever describe how magnificent and untouchable of a lineup the 2009 Cannes Film Festival had. Start with Pixar’s Up. One of the most effective movies Pixar ever made is opening the pageant. In competitors? Von Trier with Antichrist, Campion with Bright Star, Almodovar with Broken Embraces, Tarantino with Inglourious Basterds, Resnais with Wild Grass, Gaspar Noé with Enter the Void, Park Chan-wook with Thirst; this is not even mentioning Fish Tank, Grand Prix winner A Prophet, and Johnnie To’s Vengeance.

Un Certain Regard had Lanthimos’ Dogtooth, Joon-ho’s Mother, and Lee Daniels’ tearjerker Precious. Directors Fortnight featured Xavier Dolan’sI Killed My Mother, Denis Villeneuve’sPolytechnique, plus movies from the Safdies (Daddy Longlegs), Lynn Shelton (Humpday), and Coppola (Tetro). Heck, Sam Raimi had Drag Me to Hell premiere out of competitors. The 2009 lineup is the gymnastics equal of an ideal 10: a combination of previous and new, daring and acquainted, the previous and the longer term. And after all of the talked about movies, jury president Isabelle Huppert awarded the Palme d’Or to her collaborator Michael Haneke and his movie The White Ribbon. Conspiracy? Highly uncertain. Save the theories for von Trier to spew.

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