Underrated 1980s Serial Killer Movies You Must Watch

Serial killers captivate our imagination, and there exists an array of underrated films from the 1980s that have not garnered the attention they deserve over the years. The allure of serial killer stories, whether they are based on true events or entirely fictional, continues to grip audiences worldwide. These narratives delve into the unsettling psychology and actions of these characters, offering filmmakers a canvas to explore disturbing themes that reflect society’s growing fascination with the sensationalism of violent figures in the media.

The 1980s saw a significant rise in slasher films, and it’s no surprise that many serial killer-themed movies fall into the horror subgenre. These films typically feature a relentless killer systematically claiming victims. However, serial killer narratives can also shine in slow-burn thrillers, slowly building tension and suspense. Numerous underrated serial killer movies from the ’80s have been eclipsed by their lackluster critical reception or their intense portrayals of violence, yet they deserve recognition and appreciation for their contributions to the genre.

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Discover the Intrigue of Calendar Girl Murders (1984)

Directed by William A. Graham

Sharon Stone smiles at a man standing in front of her.

Before her rise to stardom in the ’90s, Sharon Stone delivered an engaging performance in the TV film Calendar Girl Murders, portraying photographer Cassie Bascomb. This captivating ABC production follows the story of a successful publisher, Richard Trainor (played by Robert Culp), who is celebrating the launch of a calendar showcasing stunning models. However, the celebration turns into a nightmare when these models start to die in the chronological order of the months. Detective Dan Stoner (Tom Skerritt) must race against time to solve the case and prevent the murderer from reaching the December model, adding an intense layer of urgency to the narrative.

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The concept behind Calendar Girl Murders is genuinely intriguing, and the film manages to maintain a surprising level of mystery throughout its runtime. While it may not be the most polished made-for-TV film, it certainly exemplifies the era’s unique style, with its blend of horror elements and slightly campy performances. Viewers who approach the film with tempered expectations can find themselves pleasantly entertained by its charm and narrative twists.

9
Unravel the Mystery in Blackout (1985)

Directed by Douglas Hickox

A detective wearing a trench coat and black cap sits in a car.

Although Blackout is a made-for-TV film and has certain limitations, it still holds its ground as an underrated psychological thriller that deserves to be seen for its engaging scares and solid performances. The narrative centers on a homicide detective (Richard Widmark) who investigates the gruesome murders of the Vincent family, raising the stakes when the prime suspect mysteriously vanishes. This twist adds an intriguing layer to the plot.

As the investigation unfolds, another man (Keith Carradine) who has suffered a traumatic accident and undergone multiple facial surgeries becomes entwined in the case, leading the detective to suspect he may be linked to the Vincent family murders. While Blackout may initially seem predictable, it cleverly employs various plot twists that keep viewers engaged and guessing about the detective’s next move and the true identity of the killer.

8
Experience the Chilling Atmosphere of Pieces (1982)

Directed by Juan Piquer Simón

Leticia Marfil stands in the corner of a shower with a horrified expression on her face.

While the Spanish-American slasher film Pieces may have its flaws, it excels in delivering entertainment value to audiences. The plot revolves around an unidentified serial killer who targets women on a college campus in Boston. Disturbingly, the killer collects parts of each victim’s body to assemble a grotesque jigsaw puzzle. Pieces incorporates elements from both giallo films and classic American slashers, although it doesn’t necessarily break new ground in either genre.

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The narrative and dialogue of the film have faced criticism from both audiences and critics. Yet, despite these critiques, it has cultivated a dedicated cult following over the years. The escalating suspense as the body count rises and the killer’s identity remains concealed adds to the film’s allure. For fans of brutal and bloody slashers, Pieces provides an ample supply of gore and violence to satisfy their cravings.

7
Dive into the Artistic Vision of White Of The Eye (1987)

Directed by Donald Cammell

David Keith sits at a kitchen table smirking with a beer bottle in his hand.

In stark contrast to many other serial killer films, White of the Eye aims to provide a deeper insight into the life of a suspected murderer, exploring the factors that may have led to his violent tendencies. Set against the backdrop of Arizona, a series of similar murders raises suspicion towards local audio technician Paul White (played by David Keith), as Detective Charles Mendoza (Art Evans) investigates the chilling case.

White of the Eye is recognized for its stylish direction and strong performances. Keith delivers a compelling portrayal of an ordinary man with a hidden, dark side, enhancing the film’s impactful plot twist. Cathy Moriarty also shines as Paul’s wife, Joan, who grapples with the horrifying reality of her husband’s potential criminality, adding emotional depth to the narrative.

6
Explore the Disturbing Depths of Angst (1983)

Directed by Gerald Kargl

A bloody Erwin Leder sits in the driver's seat of a car.

Some serial killer movies aim to immerse viewers in the twisted psyche of their protagonists, making them complicit in the killer’s actions. The Austrian thriller Angst exemplifies this approach, following an unnamed serial killer recently released from prison who feels an overwhelming urge to kill again. The film depicts the killer as he breaks into a home and violently attacks the family, creating an intensely uncomfortable viewing experience.

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While Angst contains its share of bloodshed, it manages to strike a balance, not being overly graphic compared to others in the genre. The film’s innovative camera work and the killer’s narration draw audiences closer to his perspective, enhancing the immersion and making it one of a kind. Angst has drawn comparisons to Henry: Portrait of a Serial Killer, released shortly after, due to its similar themes of inviting viewers into a killer’s life.

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