[Editor’s note: The following contains major spoilers for A Knight of the Seven Kingdoms.]In the season finale of the HBO series A Knight of the Seven Kingdoms, set in Westeros a century before the events of Game of Thrones, hedge knight Ser Duncan the Tall (Peter Claffey) was left wondering just what his responsibilities toward his squire Egg (Dexter Sol Ansell) should be. The aftermath of the Trial of Seven and the death of Baelor Targaryen (Bertie Carvel) make Dunk reflect on his own regret and guilt, unsure of what to do and where to go next. When Dunk ultimately decides to take Egg back, it’s on the condition of continuing to travel as a hedge knight and getting as far away from royalty as possible.
While there is a sense of closure to the story being told over the six-episode first season, there’s also a sense of adventure to come. Already deep into production on Season 2, showrunner Ira Parker is continuing to work with the source material, following The Sworn Sword while also getting feedback from George R.R. Martin as he adds his own touches to the adventures of Dunk and Egg.
Collider recently got the opportunity to chat one-on-one with Parker about the events of the finale, poking fun at the need to rename the series A Knight of the Nine Kingdoms now (and no, the title is not actually changing), that reunion between Dunk and Sweetfoot, how that final shot with Ser Arlan riding off as Dunk and Egg go on their way came about, whether Dunk was ever really knighted, the change in dynamic between Dunk and Rafe from what was in the book, the nod to Brienne of Tarth, and the reveal that Egg lied again so that he could rejoin Dunk. Parker also talked about how far into the Season 2 production they are, whether any Season 1 cast members will show up in Dunk and Egg’s world again, the possibility of continuing beyond Season 3, and how they handle any potential changes that might need to be made.
Collider: It’s fun to see a show that feels so different from the other shows in this world, and yet still looks like it fits in this world.
IRA PARKER: I’m glad it still looks like it fits in this world. That was what made us the most nervous. One of our actor’s agents almost didn’t let them be in it because he said, “We don’t know how you’re going to make this look okay for the money that they’re giving you.” They took those words back by the end. I’m glad that this is the result.
No, the Series Will Not Be Renamed ‘A Knight of the Nine Kingdoms’
“We’re just having some fun in Westeros.”
So, do you have to rename the series now to A Knight of the Nine Kingdoms, or were you just having fun with the title card at the end of the finale?
PARKER: I think that’s probably what it was. We try not to take ourselves too seriously. We’re serious when it’s appropriate. We’re just having some fun in Westeros.
It was nice to have that little bit of humor again, after some of the heavier stuff in the last couple episodes.
PARKER: It was important to have that last little conversation between them to cleanse the palate a little bit. So much stuff has come to pass between the two of them in both of their lives, and we just needed to let the audience know, “Don’t worry, going forward, this will still be the Dunk and Egg that we all grew to know and love even before we turned that relationship upside down.
I also have to give you kudos for taking the time to reunite Dunk with Sweetfoot, the horse. Why was it important for you to find the time for that moment when that’s not something that you had to do?
PARKER: We all felt, pretty early on, that a lot of people, including us, were going to care only if Dunk got reunited with that horse. If he wins the tournament, fine. The Trial of Seven, great, we want him to live. But the horse, that was a hard seed to watch. Obviously, Dunk has a great affinity for his animals, so we felt that it was appropriate to at least address that. And he’s going to an apple farm. What could be better? It’s like horsey heaven.
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I thought there was something really beautiful about seeing Ser Arlan on Sweetfoot, heading off in another direction from Dunk and Egg. It’s far away, but I thought I saw Dunk turn and look in his direction. Did that happen? Was that moment more emotional than you expected, because it made me very emotional?
PARKER: I’m glad. That was the very last thing that I wrote for this show. It wasn’t actually in the original script, and when we were cutting all the things together, our ending didn’t feel quite right. I forget exactly when or how that came up. We were very lucky when we went back to do some of the re-shoots. We very quickly went and grabbed that, and I’m really glad that we did. First of all, Dunk is looking. There is just a little bit of something there. It’s perfect because your response is exactly what I wanted. Is he looking? Is he not? Was that on purpose? Was it not? We’re sending Ser Arlan off on his way. Ser Arlan has done his job and remained present with Dunk even after he died, but now Dunk is setting off to become his own mentor.
Well, thank you for confirming and clarifying.
PARKER: You have an eagle eye. I appreciate you picking that out.
I’ve really enjoyed watching Peter Claffey and Dexter Sol Ansell work together this season. They’re so different, but they also work so well together. They’ve been a fun odd couple/buddy comedy duo. What has most surprised you about watching them together? When there’s no way you could have known if they would work until you saw them together, was there a moment that just gave you a sigh of relief?
PARKER: In the audition, they related to each other very well physically. How do you quantify that? There was just a certain natural familiarity that they always had. They both went out of their way to forge a relationship off-screen as well, hoping that would translate to more ease and more chemistry on screen, and it worked. Those guys off-screen are exactly like the pair that they are on-screen. They needle each other, but in a brotherly way. I don’t think the mentorship is bottom up the way it is in the show. It’s more classic in real life. But there’s still a lot of back and forth, which I really appreciate. They’re just two very delightful people. George [R.R. Martin] knows what he’s doing. Those odd couple pairings he creates are like none other. We’re very happy to have Peter and Dex bringing them to life, but a lot of that comes from the source material.
Did Dunk Ever Really Get Knighted by Ser Arlan in ‘A Knight of the Seven Kingdoms’?
“The whole journey is going to be about what makes a true knight.”
There’s a moment in the finale flashback when Dunk reveals that he wasn’t knighted by Ser Arlan. Why did you want to make that clear?
PARKER: It’s fascinating to me that that’s what you got out of that scene. At that moment, Dunk had never been knighted by Ser Arlan. He says, “Why did you never knight me?” And then, Ser Arlan dies, and we think it’s over. But then, he’s back and, as far as we know, the continuation of that scene is, “Boy, go get me my sword,” and then he knights him. There is no conformation, one way or another coming out of that scene. That’s exactly how Mr. R.R. Martin requested it. It remains [ambiguous] and people can decide for themselves. Look, Danny Webb is a fucking magician. I love him so much. He’s just become Arlan. It could have been no one else in this whole world. He was just pitch perfect all along until his death. This whole journey is going to be about what makes a true knight—whether or not you’re given or have earned your title.
It feels like for someone like Dunk it’s also very much a confidence issue because even if he really has been given title it’s not something he feels he deserves or is worthy of.
PARKER: Yep! What person doesn’t feel that way deep into their careers—even successfully—feeling like fraudsters unworthy of praise or success? Honestly—spoiler alert (though people know from previous series)—even when he becomes more successful than now as Lord Commander of Kingsguard he still feels insecure because there are always new levels within jobs.
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