Explore the top nine unforgettable and iconic nu-metal guitar solos and leads, as selected by Diamond Rowe from Tetrarch.

While nu-metal may not always be celebrated for its intricate and speedy guitar performances, this does not imply a deficiency in skill or artistry.

As a prominent and influential guitarist emerging from this expansive era of nu-metal and alternative metal, Rowe is excited to highlight some remarkable guitar moments that have shaped the history of nu-metal.

But before we dive in…

Key Insights About Tetrarch: A Rising Force in Nu-Metal

Origin: Atlanta, Georgia

Debut Album: Freak (released in 2017)

Latest Album: The Ugly Side of Me

Although Tetrarch’s first album didn’t hit the shelves until 2017, the band’s origins trace back a full decade earlier. In 2007, Rowe, alongside lead vocalist and rhythm guitarist Josh Fore, established the band in Atlanta, Georgia.

After establishing their presence locally, recording three EPs, and embarking on a 40-day tour, they teamed up with acclaimed producers Jason Suecof and Eyal Levi from Daath at Audiohammer Studios to record their 2013 EP Relentless. Their debut album Freak was self-released, and in 2021, Tetrarch released their sophomore album, Unstable, through their current label, Napalm.

With hard-hitting new tracks like “Live Not Fantasize” and “Never Again (Parasite),” Tetrarch’s artistic vision is becoming even more defined and powerful.

The band shares, “‘Never Again (Parasite)’ was a thrilling song for us to create. It has a moody and dark atmosphere, but the lyrics are universally relatable. It explores the theme of losing trust in various situations and people while simultaneously dealing with isolation and a loss of self.” They add, “The track also embodies a spirit of reclaiming what’s rightfully yours and asserting that ‘this won’t happen to me ever again.’ It’s a song that reveals a different dimension of our music, especially in comparison to our previous single ‘Live Not Fantasize.’

They continue, “This track also marks the first time we have showcased Diamond’s vocals in a prominent role, beyond just background textures, and we are incredibly excited for everyone to experience her voice in this new way.”

Check out the song right below.

Watch Tetrarch’s “Never Again (Parasite)” Official Music Video

As Tetrarch releases their exciting new album, The Ugly Side of Me (available now), the anticipation has been especially exhilarating for Rowe, who has also launched her own signature guitar.

“I’m thrilled about this new partnership with the Jackson family,” she expresses. “This collaboration is historic as I am the first female artist in Jackson’s history to have a signature guitar and the first African American female signature artist in heavy music. I feel deeply honored to join such an elite group of talented musicians who have inspired me throughout my journey. It’s an incredibly humbling experience.”

READ MORE: Tetrarch’s Diamond Rowe Celebrates New Music + Her Signature Guitar – ‘I Always Wanted That at Some Point’

This is precisely why Rowe is the perfect artist to highlight some of the most iconic and memorable guitar solos and leads in the nu-metal genre. Discover which ones she selected right below.

Follow Tetrarch on Instagram, TikTok, Facebook, and X, and grab your copy of ‘The Ugly Side of Me’ from the Napalm webstore.

The 9 Most Iconic Nu-Metal Guitar Solos + Leads, Curated by Tetrarch’s Diamond Rowe

Korn, “Falling Away From Me”: The Most Recognizable Nu-Metal Guitar Lead

In my opinion, the clean guitar intro of this track stands as the most recognizable nu-metal lead of all time.

Yes, without a doubt, it’s iconic.

It features the signature guitar effects of Brian “Head” Welch, and I can’t think of any nu-metal fan who doesn’t feel a surge of excitement when that lead begins to play, whether it’s in a live setting or blasting through the speakers in their car. It’s a song I never skip, and that guitar lead is undoubtedly the reason for that.

Moreover, an honorable mention must go to the dissonant “bumble bee” texture layered under the chorus chords, which adds an incredible sense of anxiety and intensity. Such a simple yet powerful lead texture contributes immensely to the overall impact of the song.

Disturbed, “Stricken”: A Journey Through Masterful Guitar Work

I believe Dan Donegan has undeniably demonstrated why he is one of the finest guitarists of our era through the guitar solo featured in this track. Creating a guitar solo that takes the listener on a profound journey requires immense talent and a keen understanding of what a song truly needs, and he has achieved that remarkably.

I can sing every note of that guitar solo back while it’s playing. It’s simply impossible to conceive a better guitar solo tailored for this particular song; it’s flawless.

Slipknot, “Before I Forget”: The Captivating Shift in Dynamics

Following the second chorus in this song, as it transitions into the bridge, Jim Root delivers a pseudo guitar solo that has consistently been my favorite part of the entire track.

Immediately after his solo-like lead, he transitions into a hammer-on/pull-off guitar lead line that compels me to close my eyes and immerse myself in the moment. It carries an ominous tone and feels as though it could continue indefinitely.

The dynamic shift is remarkable, and the song’s intense energy is a testament to Slipknot’s brilliance — they excel at pulling off the most captivating musical transitions.

System of a Down, “Lonely Day”: A Unique Guitar Narrative

It’s quite rare to hear Daron Malakian deliver a guitar solo in a System of a Down track, but he certainly crafted something exceptional in “Lonely Day.”

This guitar solo feels as though the instrument is narrating its own story, aligning beautifully with what Serj Tankian expresses vocally. At least, that’s the impression I get from it.

What’s truly fascinating is the way their Armenian roots and influences are audible in the solo’s style, making it exceptionally unique and authentic, especially within the nu-metal genre.

Cane Hill, “The New Jesus”: A Testament to Underrated Talent

Although Cane Hill has largely moved away from their nu-metal sound, James truly understood the assignment while crafting songs for their album Smile, incorporating impressive leads and solos.

He is an incredibly underrated guitarist, and I am always keen to acknowledge talent where it’s due. While he has written numerous captivating guitar solos across different Cane Hill tracks, I perceive “The New Jesus” as the song that introduced them to a broader audience, showcasing James’s skills with a brief yet impactful solo at the end.

Marilyn Manson, “Tourniquet”: The Perfect Blend of Intrigue

Twiggy Ramirez excelled in this track by creating a lead guitar part that embodies both sensuality and eeriness. These contrasting elements encapsulate much of what Marilyn Manson represents, but the guitar lines in this particular song stand out to me because of their seamless integration with the other components of the track. Everything shines beautifully.

He also delivers a short yet effective solo just after the first chorus, which brings the energy down perfectly. It’s challenging to pinpoint one specific lead that dominates this song because the droning guitars and bluesy leads collectively create its essence.

Drowning Pool, “Tear Away”: A Nostalgic Reflection

I anticipate some disagreement here, but I genuinely appreciate the guitar solo in this song.

In my eyes, nu-metal is more about the emotions it evokes rather than technical prowess, and the straightforward guitar solo in this track exemplifies that notion. I mean this in the most positive way possible; it evokes a sense of nostalgia reminiscent of my childhood, jamming with friends in our parents’ basement or garage.

It feels raw, as though it’s just a guy and his guitar creating some magic. Sometimes, that’s all you really need.

Linkin Park, “In the End”: Subtle Yet Impactful Guitar Elements

While I wouldn’t classify this as a guitar-driven song, I find it incredibly fascinating how, during the verses, Brad Delson plays staccato harmonics that perfectly complement the renowned melody.

It strikes the right balance; it’s not too overwhelming, yet it contributes significantly to the overall sound.

Godsmack, “Changes”: A Legacy of Influence

I’m fairly certain that the combination of Slash and Sully Erna inspired me to purchase my very own talk box.

Godsmack’s album Faceless is an absolute masterpiece, and although some may debate whether they fit within the nu-metal category, I believe this album made a significant impact during that era and left a lasting impression.

The last quarter of this song features a guitar solo intertwined with various leads, which brings immense joy to my guitar-loving heart. It’s as simple as that.