Robbie wore a striking red miniskirt set that leaned into Findikoglu’s signature gothic romantic aesthetic. The look centred on a sharply structured corset crafted from a glossy, python-effect material. It sculpted her waist and accentuated her hourglass silhouette. The corset featured lace-up detailing running down the front and sides, giving the piece an armor-like quality. Raised, sculpted embellishments across the bust added texture and visual depth, drawing attention to the intricate construction.

Underneath the corset, Robbie layered a matching bra top in the same deep crimson tone. This kept the palette consistent while reinforcing the intentionally styled, lingerie-inspired nature of the outfit. The coordinating miniskirt sat low on her hips and echoed the corset’s reptile-like texture. It was finished with softly ruffled edges and subtle flared panels, which introduced movement and contrast to the rigid bodice structure. Long, fitted sleeves completed the look; the high-shine surface caught the light, further highlighting the scale-like pattern of the fabric.

Robbie styled the ensemble with red pointed-toe heels. She wore a red choker that featured a pear-shaped diamond. Her hair was pulled back and softly waved, opening up the neckline and allowing the corset and bra combination to take centre stage. In the post shared by stylist Andrew Mukamal, the look was accompanied by a caption, “I’d rather be hugged by a snake.” The quote nodded directly to the serpentine inspiration behind the textured red material. It also gave subtle hints about the film that centres on passion and intensity. The choice of a bold outfit reinforced the themes of strength. In this way, Robbie’s fashion moment functioned as a subtle extension of the film’s dramatic mood.