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Miley Cyrus Discusses Mainstream Success and 2026 Plans


In an exciting revelation for fans, Miley Cyrus has expressed a desire for a transformative experience in her career, indicating that next year might usher in significant changes. In a candid conversation with The New York Times, she eagerly anticipates a “rebirth of how I look at my career,” suggesting a shift in her artistic direction and personal growth.

During the interview, Cyrus, who recently unveiled her ninth studio album titled Something Beautiful, shared her thoughts on her evolving relationship with mainstream success. She reflected on her journey as an artist and what she envisions for her future endeavors in the music industry, highlighting her commitment to authenticity over commercial success.

Cyrus candidly remarked, “I think it’s winding down, my attachment to mainstream success,” during the video interview released on May 31. This statement signifies a pivotal moment in her career, as she navigates the pressures of fame and her personal aspirations, with a focus on self-discovery and artistic integrity.

She further elaborated, “I kind of feel like this album, it’s definitely not a ‘last lap’ — I’m definitely not going 180 in my career necessarily right now — but I think it’s potentially the last time I’ll do it exactly this way.” This indicates her willingness to explore new creative avenues while still being grounded in her musical roots.

Announcing Something Beautiful in March, Cyrus gave her devoted fans a sneak peek into the album with the track “Prelude” and its title song. Following this, she released two additional singles, “End of the World” and “More to Lose.” Prior to the album launch, she hosted an exclusive private concert, sponsored by TikTok, at the iconic Chateau Marmont in Los Angeles. Also on the horizon is an accompanying visual project, a film set to premiere in theaters for one night only on June 12 in the United States and Canada, with an international release slated for June 27.

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<Cyrus — whose previous full-length release, 2023’s Endless Summer Vacation, reached No. 3 on the Billboard 200 — expressed confidence in her latest project, stating, “I’m taking a big bet on this one [Something Beautiful]. I’m all in. But I don’t think I’ll put myself in a position that I add this much pressure to myself again.” This highlights her growth as an artist and her recognition of the importance of mental well-being.

Cyrus shared insights into her shift in focus, stating, “A lot of things are going to change about that for me, towards the end [of this year] and the beginning of next year. That’s really kind of my focus, of using this year to kind of wind that idea I’ve had of myself down.” She described a track from her album titled “Reborn,” which encapsulates her journey and the anticipated transformation in her approach to her career.

The engaging conversation lasted nearly an hour, encompassing various topics, including her relationships with her parents, Tish and Billy Ray Cyrus, her aspirations for parenthood, experiences with E.M.D.R. therapy, and reflections on her childhood stardom. She also discussed the significance of winning her first Grammy for “Flowers” in 2024 and her connections with fellow female pop stars in the industry.

“I find the relationship between female pop stars to be really interesting and often very fraught,” Garcia-Navarro suggested, to which Cyrus humorously responded, “Divas.” This exchange sparked a discussion about the dynamics among women in the music industry, reflecting both camaraderie and competition.

When asked about her perspective on the situation, Cyrus candidly replied, “I mean, probably on my end,” and added, “I don’t mind the word diva. Maybe I’m a little diva.” This highlights her self-awareness and ability to embrace her multifaceted identity within the music industry.

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Cyrus elaborated on her interpretation of being a diva, saying, “It’s kind of cool. It’s a fantasy. You don’t have to be famous to be a diva — just be a diva. Diva does not mean difficult for no reason.” When asked if she considers herself difficult, she humorously quipped, “I’m difficult, but not for no reason,” showcasing her playful personality and authenticity.

Following up, the interviewer prompted, “You have said you don’t feel part of the cohort of singers of your generation and age group … You’ve held yourself apart in a certain way.” She sought to understand Cyrus’ reasoning behind this perspective.

Cyrus explained, “I don’t think it’s so much of a conscious choice. I think for me, my persona — the public’s idea of me — is ‘on,’ in some way, but in my own time, I’m very off. I like no makeup, my hair up messy. I don’t even look in the mirror in my own time.” This highlights her desire for authenticity and the contrast between her public and private life.

“It’s not that I haven’t found it,” she continued. “I haven’t looked very hard. I’m sure girls in my community are going like, ‘Well, that’s me too and you haven’t reached out.’ No, I haven’t … I like doing my two worlds.” This statement emphasizes her commitment to living life on her own terms without conforming to external pressures.

Cyrus drew parallels between her real-life experiences and her role as the beloved teen character, Hannah Montana.

“Maybe it’s something subconsciously from the show, like from Hannah Montana where I think my famous person has one life and then as a regular person I have another life,” she articulated. “I think maybe subconsciously it programmed me — not even joking — to think who I am at home and who I am as a performer are kind of like two separate identities, and actually they are.” This reflects her unique journey navigating fame and personal identity.

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Throughout the discussion, Cyrus also addressed the new wave of pop singers, including Sabrina Carpenter, expressing her concern for their well-being amidst the demanding nature of the industry. “Every time I see her I have the urge to ask her if she’s OK. I’ll see she’s performing in Ireland, and then the next day she’s doing a show in Kansas. And I’m like, ‘I don’t know how that could be physically OK,’ because I was in that situation,” she said. “I know what it feels like to fry yourself, and I don’t want anyone else to get fried. But I like all the new girls. I think they’re all unique and are very found,” showcasing her support for the next generation of artists.

Be sure to catch her full interview with the New York Times in the video below.

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Here you can find the original article; the photos and images used in our article also come from this source. We are not their authors; they have been used solely for informational purposes with proper attribution to their original source.

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Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.