Swiss Journal of Research in Business and Social Sciences

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Music Stocks Drive Sphere Entertainment Shares Up 11%


Key Takeaways

  • Stock Performance: Sphere Entertainment Co. shares increased by 11.2% to $76.04 recently.
  • Positive Developments: The company’s remake of The Wizard of Oz achieved over $130 million in sales.
  • Market Trends: The Billboard Global Music Index saw a 1.0% gain, marking its first increase in 11 weeks.
  • K-pop Companies: SM Entertainment’s shares rose by 6.0%, while other K-pop companies faced declines.

Sphere Entertainment Co. shares jumped 11.2% to $76.04 in the week ended Nov. 28. Despite frequent news reports that tourism is down in Las Vegas, the Sphere venue’s growth has propelled shares of its parent, Sphere Entertainment Co., to a 99.2% gain in 2025.

While no market-moving news was released this week, a steady stream of news has painted a positive picture for the venue. The company announced in October that its remake of The Wizard of Oz surpassed $130 million in sales and more than 1 million tickets sold. Earlier this month, Sphere announced additional shows in The Eagles residency, bringing the band’s run to a venue record of 56 shows. Earlier this week, Sphere Entertainment Co. announced that Christopher Winters was appointed senior vice president, controller, and principal accounting officer.

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Music stocks had a rare positive week as the 19-company Billboard Global Music Index (BGMI) gained 1.0% to 2,597.30. With 14 of the index’s companies in positive territory, the slight improvement marked the BGMI’s first gain in 11 weeks. Year-to-date, the index is up 20.5% but is 16.7% below its all-time high of 3,117.20 set during the week ended June 30.

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Markets around the globe outpaced music stocks this week. In the U.S., the Nasdaq composite gained 4.9% to 23,365.69 and the S&P 500 rose 3.7% to 6,849.09. The U.K.’s FTSE 100 climbed 1.9% to 9,720.51. South Korea’s KOSPI composite index improved by 1.9%, bringing its year-to-date gain to 60.8%. China’s Shanghai Composite Index was up by 1.4% to 3,888.60.

The biggest gain of the week came from French music streamer Deezer, which rose by 13.5% to €1.09 ($1.26). The hefty gain narrowed Deezer’s year-to-date loss to 16.8%. On Tuesday (Nov. 25), Deezer unveiled a new personalization feature that allows users to change the look and layout of the mobile app.

K-pop company SM Entertainment rose by 6.0% to KRW102,000 ($69.50). Reservoir Media increased by 4.4% to $7.30. SiriusXM and MSG Entertainment each climbed by 3.6%. Spotify, the BGMI’s largest component, gained by 2.6% to $583.62.

Three of the BGMI’s largest companies — Warner Music Group, Universal Music Group (UMG), and CTS Eventim — lost ground this week. CTS Eventim fell by 0.4% to €84.65 ($98.18). On Monday (Nov. 24), Bernstein lowered its CTS Eventim price target to €99 ($114.83) from €100 ($115.98) and maintained its “outperform” rating. Universal Music Group fell by 2.3% to €22.61 ($26.22), increasing its year-to-date loss to 7.7%.

Warner Music Group (WMG) shares fell by 8.0% to $30.69. The decline didn’t come from news that WMG settled its lawsuit with generative AI music platform Suno — WMG shares had already fallen by 7.6% by the time news of the settlement and corresponding licensing agreement was announced on Tuesday afternoon. Rather, the drop is part of a larger trend in recent months amongst multi-sector companies; in the last nine weeks, WMG has fallen by 16.6%, and UMG is down by 11.6%.

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Some K-pop companies have fared even worse; over nine weeks, SM Entertainment has dropped by 14.9%, JYP Entertainment has plummeted by 33.6%, and YG Entertainment has plummeted by 7.5%. HYBE, on the other hand, has gained by 12% over nine weeks due to a Korean court ruling that NewJeans must honor its exclusive contract with HYBE imprint ADOR.

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Sarah Parker
Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.