BURR: We always recognized that Pink Slip had to play a significant role [in the new movie]. First and foremost, our admiration for Pink Slip runs deep. Throughout my extensive career in filmmaking, especially in projects centered around music and musicals, it’s uncommon to find a soundtrack where every lyric is etched in memory. The iconic songs of Pink Slip resonate with us, especially two and a half of them, and we can’t forget the beloved “Baby”. It became clear that the return of Pink Slip was not just a desire, but a necessity.
Reflecting on the past, we contemplated the notion that Lindsay would still be part of Pink Slip. Music played such a pivotal role in [Anna’s] life during the first film that it would feel insincere — and honestly, quite disheartening — if she were to lack the presence of music in her life now. The rich tapestry of musicality that defined her character demanded continuity, reinforcing the essence of the narrative.
LOHAN: I believe this time it felt a lot more seamless — our reunion was the starting point, and then it naturally transitioned into, “Alright, let’s make this happen.” The comfort level was akin to feeling as if no time had lapsed; it was like we had just picked up from where we left off, creating a warm and inviting atmosphere.
HALEY HUDSON (Peg): Absolutely! It truly did!
VIDAL: It felt as though no time had elapsed. The moment we reunited, it was as if we were instantly transported back, sharing the sentiment of, “This feels familiar.” While it might not have been exactly the same, the connection was undeniably present. There’s a natural chemistry among us, both in our performances and as friends. Our camaraderie on set has always been strong, making this reunion feel effortless, as [Lindsay] mentioned; it was already there, waiting to be reignited.
BURR: Naturally, our intent was to bring back Haley and Christina, as they were integral to the success of the first film and played substantial roles. The discussion evolved once we decided to officially revive Pink Slip: Could we gather the entire original cast for this exciting return?
At one point, we considered the inclusion of MUNA, who plays a pivotal role in our movie — they portray Ella’s band [the gen Z pop star portrayed by Maitreyi Ramakrishnan in Freakier Friday]–. MUNA had previously released a single titled “Take Me Away”, where they donned Pink Slip costumes for a performance that went viral. Their rendition resonated with us, and we were eager to incorporate them into the project. However, we ultimately decided that for the sake of nostalgia and continuity, we wanted all of Pink Slip to be represented. After reaching out, we were thrilled to find both members excited and available to join us, making it all come together beautifully.
SHINN: We began crafting demos and mock-ups, and soon it became clear: Lindsay, Julia Butters (who portrays Anna’s daughter, Harper), Christina, and Haley were all on board [to record]. Our goal was to pay homage to the original essence of Pink Slip from 22 years ago — the girls in the garage band. We explored where they are now, two decades later: How have their sounds evolved? What influences have shaped them? I was even able to join Ella’s band, and it was filled with unforgettable moments that felt uniquely special, capturing the heart and soul of Freaky Friday in Freakier Friday.
VIDAL: We did have a conversation about whether we were still perceived as “cool.” Honestly, I felt that way! Lindsay and Haley effortlessly embody coolness, whereas I felt as though I was trying to catch up. Picture me in a robe all day with a top bun, thinking, “How do I step into this?” Am I going to come off as an old lady? But as Lindsay pointed out, the fanbase remains incredibly loyal…
LOHAN: Absolutely loyal.
VIDAL: Yes! It’s deeply ingrained. I was genuinely surprised to see that there were 13-, 14-, and 15-year-olds expressing excitement about our new movie! I thought to myself, “Me? I’m so old! You’re thrilled to see me?” It’s evident that the band has cultivated a unique legacy that resonates across generations.
HUDSON: Absolutely. Many bands have drawn inspiration from Pink Slip, including MUNA.
VIDAL: Indeed! Witnessing those covers was a remarkable experience.
SHINN: They are incredibly professional. I feel they were all diligently rehearsing with Amir [Derakh], honing their guitar skills and taking voice lessons with Fiora [Cutler]. The process felt incredibly organic, as they are intimately familiar with these songs. During premiere week, we gathered the full band at [Burbank, California, rehearsal space] CenterStaging for extensive rehearsals, putting in 10-hour days and culminating in live shows. The synergy was palpable; while I felt like a newcomer, it was as if we had been doing this forever, and the bond among us felt like family. The dynamic was genuinely enjoyable.
BURR: We filmed [the final Pink Slip concert scene] at The Wiltern [in Los Angeles]. Our time there spanned four days, and I’ve never witnessed such a high volume of people wanting to visit the set as during those days. Everyone was eager to see Pink Slip in action. It was during this experience that I realized we were onto something special, as I observed a sea of millennial friends moved to tears while watching. I, too, was emotional. The performances were stellar; everyone looked and sounded fantastic. It felt like the culmination of everything we had envisioned. The finale of the movie had to resonate profoundly, and it did. We aspired for it to evoke strong emotions while also delivering a grand musical experience, and I believe we achieved both. Looking around, I saw not a single dry eye in the audience, all tears of joy. In that moment, I knew we were onto something magical.
