As we reflect on the significant anniversary of the resolution of a pivotal court case from the 1980s, we delve into the controversy surrounding Ozzy Osbourne‘s lyrics for “Suicide Solution” and the potential influence they had on the tragic death of a teenage fan. This case not only sparked debates about artistic expression and responsibility but also highlighted the profound impact that music can have on vulnerable individuals.
The loss of a metal music fan is always a heartbreaking event. Such tragedies are under intense scrutiny, whether it be the unfortunate incident involving a 19-year-old Lamb of God fan in Prague, leading to a high-profile manslaughter trial against vocalist Randy Blythe, or the case of two young boys who reportedly attempted suicide in a pact inspired by their admiration for Judas Priest. There is nothing commendable about a musician emerging victorious from a case tied to an unnecessary death.
One of the most notorious cases in the history of heavy metal concluded on August 7, 1986, when a judge dismissed a lawsuit claiming that Ozzy Osbourne and two record labels were responsible for encouraging a teenager from California to take his own life in 1984. The 19-year-old, identified as John McCollum, was reportedly listening to Osbourne’s “Suicide Solution” the night he tragically ended his life using a .22 caliber handgun.
In October 1985, McCollum’s parents initiated a civil suit, alleging that it was criminal negligence for Osbourne to include “Suicide Solution” on the 1980 album Blizzard of Ozz. They claimed that both the artist and his record labels, Jet and CBS Records, bore responsibility for their son’s death. The lawsuit argued that all three parties acted irresponsibly by releasing the track “with the knowledge that such content could potentially promote suicide.”
At the time of his death, McCollum was grappling with issues related to alcohol abuse and emotional distress. His parents contended that young and impressionable adults were particularly vulnerable to the messages conveyed in Osbourne’s music, asserting that this susceptibility warranted holding Osbourne, along with Jet and CBS, accountable for their son’s tragic fate.
Throughout the controversy, Osbourne maintained that his intention behind writing “Suicide Solution” was to serve as a cautionary tale about the perils associated with drugs and alcohol.
Understanding the Context of Ozzy Osbourne’s “Suicide Solution”
The original lawsuit was dismissed in December of the same year, as a judge determined that Osbourne possessed the absolute First Amendment right to compose a song addressing the topic of suicide. In August 1986, the California Court of Appeals upheld this decision, asserting that the song did not present a clear and present danger.
“Musical lyrics and poetry cannot be interpreted as containing the necessary ‘call to action’ because they are not designed to be taken literally,” declared Superior Court Judge John Cole. “Rational individuals recognize that musical lyrics and poetic expressions are figurative and should be understood as such.”
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Moreover, the judge noted that the defense failed to provide sufficient evidence to negate Osbourne’s full protection under the First Amendment. “It is imperative that we closely examine the First Amendment and consider the chilling effect that could result if these words were deemed accountable,” Cole emphasized.
Cole further stated that even if Osbourne intended to convey that suicide was a preferable option compared to the hardships of daily existence, he retained the constitutional right to express such sentiments.
Loudwire contributor Jon Wiederhorn is not only the author of Raising Hell: Backstage Tales From the Lives of Metal Legends, but also a co-author of Louder Than Hell: The Definitive Oral History of Metal, as well as Scott Ian’s autobiography, I’m the Man: The Story of That Guy From Anthrax, and Al Jourgensen’s autobiography, Ministry: The Lost Gospels According to Al Jourgensen, along with the Agnostic Front book My Riot! Grit, Guts and Glory.
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Gallery Credit: Joe DiVita

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