Splice has emerged as a premier platform for music creation, celebrated for its extensive library of royalty-free sound samples. Recently, they have unveiled an exciting new integration with Avid’s Pro Tools, a software that has long been considered the gold standard for digital audio workstations (DAWs) since its launch in 1991. This partnership seamlessly incorporates Splice’s cutting-edge sample discovery tools into the Pro Tools environment, allowing users to enhance their music production without compromising their workflow.
“Our journey has focused on becoming increasingly integrated with the creative process of our users,” states Kakul Srivastava, the CEO of Splice, in an interview with Billboard. “We’ve dedicated the past eighteen months to listening to our customers, gathering valuable feedback, and experimenting with numerous enhancements. They’ve expressed that while our offerings are impressive, integrating them smoothly into their creative workflow would elevate their experience.” By taking this feedback to heart, Splice now empowers producers to access its features without having to exit their sessions in Pro Tools, thus fostering a more fluid creative environment.
The collaboration is packed with features specifically designed to amplify the creative journey of music makers. A standout feature, “Search with Sound,” harnesses AI-driven technology to intelligently match Splice samples with the harmonic and rhythmic elements of audio already present in the user’s session. Complementing this is the seamless auditioning feature, which allows for the effortless preview of sounds, alongside drag-and-drop functionality that simplifies the process of placing samples directly into the project. These enhancements are set to revolutionize how creators interact with sound.
As part of the launch for Pro Tools, Splice has collaborated with notable songwriters and producers including Suzy Shine (known for her work with Dua Lipa and Alicia Keys), Rob Grimaldi (who has collaborated with BLACKPINK and BTS), and Oak Felder (renowned for his contributions to Rihanna and Lizzo). Grimaldi shares that the integration of Splice into Pro Tools significantly enhances his workflow. “The ability to drag audio I’ve created into Splice and instantly receive suggestions that are in key and align with the vibe while working in the DAW is a game-changer,” he remarked. “This functionality not only offers convenience but also keeps my creative momentum going, encouraging me to explore new and exciting sounds.”
According to Chris Winsor, the director of Pro Tools product management at Avid, Splice and Pro Tools together present a powerful combination of strengths. “By integrating Splice’s extensive sound library and discovery tools directly into Pro Tools, we’re enabling music makers to access the sounds they need without interrupting their creative flow,” he stated. This collaboration underscores the commitment of both companies to support artists in their quest for musical innovation.
This integration marks Splice’s continued evolution in the realm of digital audio workstations (DAWs). In 2024, the company previously partnered with PreSonus’ Studio One to roll out similar functionalities. However, Srivastava emphasizes that the partnership with Pro Tools holds particular significance. “Pro Tools has been the leading software in this industry, and it’s often credited with inventing the concept of digital audio workstations,” she explains. “Participating in this collaboration feels like a dream realized for us.”
For Splice, this partnership is an integral aspect of a broader strategy aimed at synchronizing its tools with established workflows. Srivastava elaborates that Splice has invested considerable time analyzing the needs of its users, opting to enhance their capabilities within existing creative frameworks instead of introducing disruptive new systems. This thoughtful approach aims to support artists in their creative processes rather than complicate them.
Srivastava posits that the future of AI in music production does not lie in generative AI—those computer-generated sounds—but rather in tools that help creators work more efficiently and effectively, all while preserving their creative instincts. “The focus isn’t on generating content through AI,” she asserts. “That concept lacks appeal; it’s not what resonates with us. Instead, we aim to develop AI-powered tools that enhance the creative process itself, empowering creators to realize their visions more effectively.”
She continues to express her concerns about generative AI platforms that simplify the music creation process to a mere push of a button. “Such platforms show a profound lack of respect for the artistry and control that musicians require,” she argues. “For years, companies like Pro Tools have been developing robust, sophisticated tools tailored for creative individuals, and it’s essential to honor that legacy.”
While the integration with Pro Tools signifies a significant advancement for Splice, Srivastava hints that their journey is far from over. She suggests that future collaborations and innovative projects will continue transforming the landscape of music creation. “Stay tuned for what’s to come,” she teases, leaving the music community eager for more.
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