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Swiss Journal of Research in Business and Social Sciences

Music

Sony Music Chief Calls for Free Streamers to Pay ‘Modest Fee’

Free music streaming shouldn?t be so free, Rob Stringer, CEO of Sony Music Entertainment, prompt Wednesday throughout a presentation to Sony Corp. analysts and buyers. 

The worth of paid subscription ?remains incredible,? mentioned Stringer in ready remarks throughout guardian firm Sony?s Business Segment Meeting 2024. But current value will increase ? by Spotify, Apple Music, Amazon Music, YouTube and, most not too long ago, Pandora ? have widened what Stringer referred to as the ?price gap? between free and paid streaming. Now, Sony desires streaming firms to get extra from their free listeners. 

?In mature markets, we hope that our partners close that gap by asking consumers using ad-supported services to additionally pay a modest fee,? mentioned Stringer. ?This would help develop this segment of the streaming business to be more than just a marketing funnel for paid subscription and still be a tremendous value for users. We have a shared interest in better monetization of free tiers. At Sony Music, we think everyone is willing to pay something for access to virtually the entire universe of music.?

Free streaming offers a chance to entice paying subscribers however returns far much less per listener than subscriptions. Even although Spotify has 62% extra free listeners than subscribers, promoting accounted for simply 10.7% of first-quarter income in contrast to 89.3% from subscriptions. Another spherical of value will increase by Spotify this month within the U.Ok. and Australia portend extra value will increase within the U.S. and different main markets. Further subscription value will increase will widen the hole between premium and free streaming, and ?even if advertising will become a better part of the story, it?s still a relatively small part of our overall revenue mix,? Spotify CEO Daniel Ek mentioned through the April 23 earnings name. 

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Charging for ad-supported music would break from an extended custom of offering listeners with a free, on-demand streaming choice. YouTube and Spotify are the 2 largest on-demand, ad-supported platforms that stream music. Amazon Music has a free tier with restricted performance. In the U.S., Pandora has about 39 million month-to-month energetic customers for its ad-supported web radio service that has much less interactive capabilities than YouTube or Spotify. But paid, ad-supported streaming is frequent within the video world. Video on-demand providers similar to Hulu and Netflix supply low-price tiers with ads and cost increased costs to get rid of promoting altogether.  

Sony Music additionally desires to extract extra income from short-form video platforms similar to TikTok that command large audiences however present comparatively few royalties. ?Premium-quality artistry drives the appeal of these services, with music being central to approximately 70% of videos created on them,? mentioned Stringer. ?These companies play a larger and larger role in music discovery and engagement amongst young listeners. More and more, these are primary consumption sources, and they need to be valued accordingly.?

Stringer, who doesn’t remark through the guardian firm?s quarterly earnings calls, spoke and answered questions for 40 minutes about Sony Music artists, chart successes, progress alternatives and efforts in rising markets. After highlighting Sony Music?s efforts in Latin America, India and China, he targeted on the latest ? and most vexing ? know-how on the music business?s horizon. Artificial intelligence, he mentioned, ?represents a generational inflection point for music? and Sony Music will take ?an active role? in making a ?sustainable business model? that respects the corporate?s rights. 

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But Stringer was clear that Sony Music is taking a tough line within the battle to form AI in music. ?We won?t tolerate the illicit training of AI models by reckless and unlicensed misuse of this art,? he warned. ?We believe strongly that permission is the only way AI models can be trained with our content, and followed protocols of the EU AI act by sending over 700 letters to AI developers to opt our copyrights out of training.? Sony Music has additionally issued ?over 20,000 takedowns of AI generated soundalikes over the past year,? he added, whereas working with legislators all over the world ?to shape policy and rights? on AI points. 

?With the right frameworks in place, innovation will thrive, technology, music will benefit and consumers will enjoy your experiences,? Stringer mentioned. ?We have prospered from disruptive market changes before so we are confident we can navigate this chapter successfully.?

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Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.