Steve Carell’s <em>Space Force</em> aimed to be the spiritual successor to the beloved sitcom The Office. Unfortunately, it fell short of the high expectations set by its predecessor. In this Netflix comedy, which debuted in 2020, Carell collaborated once again with The Office co-creator Greg Daniels, bringing along a well-known cast that included John Malkovich, Ben Schwartz, and Lisa Kudrow. Despite the substantial budget and initial excitement, the series struggled to find its comedic voice, resulting in a lackluster reception. Although there were moments of clever satire, the show ultimately lacked the warmth and sharp writing that characterized Carell’s earlier success. Fans looking for a laugh-a-minute experience akin to The Office were left disappointed.

However, many fans may not realize that after the cancellation of Space Force, Carell shifted gears to undertake a dramatically different role that showcased his immense versatility as an actor. While Space Force struggled to connect with viewers, Carell quietly delivered a masterful performance in a psychological thriller that marked one of his most intense and grounded roles since his days at Dunder Mifflin. This lesser-known gem, The Patient, is a Hulu original that garnered critical acclaim, featuring a gripping premise that allowed Carell to explore his dramatic range in unexpected and memorable ways.

While Space Force Lacked The Magic of The Office, Steve Carell Shines in The Patient

Steve Carell’s Space Force May Not Have Resonated, But The Patient Showcases His Exceptional Dramatic Talent

Space Force had all the essential ingredients for a successful comedy series: Steve Carell, a relevant political context, and an impressive ensemble cast featuring stars like John Malkovich, Ben Schwartz, and Lisa Kudrow. Despite these promising elements, the Netflix series struggled to meet audience expectations. The comedic tone was inconsistent; many of the jokes failed to resonate, and the writing leaned more toward bureaucratic satire than genuine humor. While it wasn’t outright terrible, it ultimately didn’t fulfill the hopes of fans looking for a worthy successor to The Office. Carell’s character, General Mark R. Naird, had his funny moments, yet he never achieved the compelling charm of Michael Scott.

Nonetheless, it’s important to note that Steve Carell’s performance in Space Force was commendable, showcasing his signature delivery and dedication to the character. The underlying issue stemmed from the writing, which struggled to determine whether it wanted to be a sharp political satire or a workplace comedy set in outer space. Following Netflix’s cancellation of Space Force in 2022, many anticipated Carell’s next venture might mirror the high-concept or comedic tone of his previous roles. Instead, he surprised audiences with one of the most haunting performances of his impressive career.

Enter <em>The Patient</em>. Premiering on FX on Hulu in August 2022, this limited series represents a significant departure from Carell’s typical comedic roles. In The Patient, Steve Carell portrays Dr. Alan Strauss, a therapist who is kidnapped by his patient, Sam Fortner (Domhnall Gleeson), a serial killer seeking help to control his murderous impulses. The show unfolds primarily within the confines of a cramped basement room, creating a tense, claustrophobic atmosphere. Despite the limited setting, Carell delivers a captivating and emotionally nuanced performance that gradually exposes his character’s inner traumas, grief, and resilience.

The contrast between Space Force and The Patient is striking. While Space Force attempted to deliver laughs, The Patient delves into profound psychological themes and emotional intricacies. Carell’s subtle portrayal of Alan Strauss serves as a reminder that Steve Carell possesses the ability to transcend the confines of a clueless boss or a bumbling general. He imbues the role with a quiet intensity, palpable fear, and emotional vulnerability, qualities that were noticeably absent in Space Force. For those who thought Carell’s best days were behind him, The Patient proves he is only just beginning to explore his potential.

The Patient Stands Apart from Steve Carell’s Previous Works, Yet It Deserves Greater Recognition

Steve Carell’s Space Force Gained Attention, But The Patient Is the True Must-Watch Series

Although The Patient did not achieve the cultural phenomenon status of The Office or Space Force, it has quietly emerged as one of the most critically lauded performances of Steve Carell’s extensive career. The series boasts an impressive 89% rating on Rotten Tomatoes, receiving accolades for its tight narrative pacing, unsettling atmosphere, and remarkable performances from both Carell and Gleeson. Nevertheless, despite this critical success, The Patient failed to garner the widespread audience engagement or viral attention it rightfully deserved, likely due to the lingering expectation that audiences had for Carell to deliver comedy rather than a rivetingly intense performance.

What truly distinguishes The Patient from Carell’s other television projects is its complete divergence from comedic elements. Unlike The Office, The Morning Show, or Space Force, the series does not rely on punchlines or awkward comedic moments. Carell’s character, Alan Strauss, is a man unraveling under the weight of immense psychological turmoil, and his portrayal is deeply introspective. This stark contrast to the exuberant antics of Michael Scott may be jarring for long-time fans, but it is also a revelation of Carell’s capabilities as a serious actor.

The Patient explores profound themes of guilt, trauma, and the quest for forgiveness, employing a slow-burn narrative that rewards viewers who exercise patience. The scenes featuring Carell and Domhnall Gleeson are especially charged, filled with tension, unpredictability, and layered with unspoken emotions. The minimalistic setting and focused storytelling provide Carell with the opportunity to showcase some of his most nuanced performances to date. While it may lack the flashy appeal of more conventional dramas, its emotional power is undeniable.

When compared to the broad comedy of Space Force, The Patient reveals a level of restraint and emotional depth that underscores Carell’s range as an actor, which may be more extensive than many viewers initially realized. While countless fans fell in love with him as Michael Scott, it is clear that Space Force attempted to replicate that same magic without success. However, The Patient showcases that Carell does not require a mockumentary style or an ensemble cast to excel; he simply needs a well-crafted script and the space to explore complex characters. Ultimately, while Steve Carell’s Space Force may have garnered more attention, The Patient truly deserves the accolades. This series lingers in the mind, being quiet, intense, and unexpectedly moving. For anyone who dismissed Carell’s post-Office career after Space Force, The Patient is an essential viewing experience.