Experience the electrifying sounds of Glastonbury headliners The 1975 with their newly released live album, now available for streaming and pre-order on exclusive limited edition vinyl. Titled Still… At Their Very Best (Live From The AO Arena, Manchester, 17.02.24), this album was unexpectedly launched on Friday, March 7, just a day after the much-anticipated Glastonbury 2025 lineup was unveiled, featuring The 1975 as the Friday night headliners at the renowned U.K. festival scheduled for June. Fans of the band can now immerse themselves in the live performance that captures the essence of their artistry and stage presence.
The limited edition vinyl of the live album, captured during one of the band’s thrilling hometown performances in Manchester last year amidst their highly celebrated Still… At Their Very Best Tour, is pressed on triple clear vinyl. According to the information available on The 1975’s official website, this eagerly awaited vinyl release is set to drop on May 30, 2024, via Dirty Hit. This exclusive offering not only showcases the band’s live energy but also serves as a collector’s item for dedicated fans who appreciate the tangible experience of music on vinyl.
The release of Still… At Their Very Best live from Manchester follows the 2023 unveiling of a previous live recording from The 1975’s prior tour, known as At Their Very Best, which was captured at the iconic Madison Square Garden in New York City during 2022. This continuous flow of live recordings highlights the band’s commitment to delivering powerful performances and connects with fans across different venues, showcasing their evolution and growth as artists. Each live album serves as a testament to the band’s dynamic presence and the passionate response they evoke from their audiences.
Launching with an enticing lineup of tracks from their latest studio album, 2022’s Being Funny in a Foreign Language, Still… At Their Very Best sets the tone for an unforgettable auditory journey. The carefully curated opening sequence draws listeners in, allowing them to feel the excitement and anticipation that fills the arena. As the performance unfolds, the band’s distinctive sound resonates, blending their latest hits with beloved classics, making it a remarkable experience for both new listeners and long-time fans alike.
As the set progresses, frontman Matty Healy engages with the crowd, humorously advising, “Don’t be nostalgic. Do not. Don’t do it,” as they transition into the fan-favorite “A Change of Heart,” a standout track from their top-charting album on the Billboard 200, 2016’s I Like It When You Sleep, For You Are So Beautiful Yet So Unaware of It. This interaction not only highlights Healy’s charismatic stage presence but also fosters a connection with the audience, drawing them deeper into the performance and inviting them to share in the moment.
With the surprise announcement of Still… At Their Very Best live, The 1975 also introduced an updated band logo, featuring a fresh font style across their social media platforms. The band appears to be actively working on new musical material, potentially for an upcoming album rumored to be titled God Has Entered My Body. Fans are eagerly anticipating a preview of this new work, with hopes of experiencing it live during their performance at Glastonbury, or perhaps even before the festival kicks off.
“This is what I hope we are remembered for,” Healy reflects during an emotional moment in the live set, introducing one of the early favorites, the cathartic “Robbers,” from their self-titled debut album released in 2014. His candid remarks about legacy and the future resonate deeply, revealing the band’s sincere dedication to their craft and the impact they hope to leave on their audience. This heartfelt exchange enhances the connection between the band and their fans, creating a memorable experience that transcends the music itself.
The first half of the album builds up to an emotional climax, featuring a trio of powerful songs about romance: “Fallingforyou,” “About You,” and “When We Are Together.” Following this romantic interlude, the concert transitions into the “Consumption” segment, showcasing an acoustic B-stage performance that begins with ambient media noise. During this segment, Healy captivates the audience with a moving rendition of “I Like America & America Likes Me,” while 1975 tourmate Polly Money takes the lead on their duet “Jesus Christ 2005 God Bless America,” showcasing the collaborative spirit that defines this live performance.
In a light-hearted moment, Healy addresses the audience, saying, “Hello, I haven’t really planned what to say. But I suppose this bit is supposed to be a bit awkward, ‘cause it’s just me under a spotlight.” His humorous approach endears him to fans, fostering a relaxed atmosphere that encourages audience participation and enhances the overall concert experience. This blend of spontaneity and authenticity makes each live performance unique and memorable.
With a touch of humor, Healy adds, “You shouldn’t feel sorry for me, I’m a nepo baby,” referencing his mother, Denise Welch, who starred on Coronation Street. “That’s the way it works!” This lighthearted banter showcases his playful personality while also grounding the performance in authenticity, reminding fans that the journey to success is multifaceted. Such moments of levity create a bond between the band and their audience, making the concert feel like a shared experience among friends.
Healy expresses his pride in hailing from Manchester, telling the audience, “We’re very proud to be from here, and, um, sorry if I ever let you down or whatever.” This sincere acknowledgment resonates with fans, reinforcing the deep roots the band has in their hometown and the loyalty they feel towards their supporters. These heartfelt interactions create a sense of community, making each concert not just a performance, but a celebration of shared experiences and mutual appreciation.
The latter half of the live album showcases The 1975’s energetic side as Healy enthusiastically declares, “Let’s play a banger and then we can start taking requests, all right?” before diving into the exhilarating “It’s Not Living (If It’s Not With You).” This segment of the concert radiates joy and excitement, as fans join in the celebration, creating a vibrant atmosphere that uplifts everyone present. The camaraderie and connection shared during these moments highlight the unifying power of music as they celebrate their time together on stage.
“I’m gonna be serious right now for a second,” Healy shares, reflecting on the changing landscape of the music industry. He notes the rise of solo artists and the individualization of media consumption, stating, “There’s so many f—ing solo artists, and the reason is, is because all media is now individualized.” His insights reflect the profound changes within the industry and the importance of teamwork and collaboration, emphasizing that true artistry often thrives in collective creativity. “Trust me. Bind together and make something bigger than yourself. That’s my advice — in all stuff,” Healy concludes, reminding fans of the value of unity in artistry.
The 1975’s latest live release culminates with anthemic sing-alongs that ignite the crowd’s energy, featuring spirited performances of “Love It If We Made It” and “Sex.” The album concludes with the high-octane track “People,” leaving fans exhilarated and craving more. This powerful ending encapsulates the band’s ability to engage and inspire their audience, reinforcing their status as one of the leading acts in contemporary music. Each performance is a testament to their commitment to delivering exceptional live experiences that resonate deeply with fans around the world.
For a complete experience, check out the full track list below:
“The 1975”
“Looking for Somebody to Love”
“Happiness”
“Part of the Band”
“Oh Caroline”
“I’m In Love With You”
“Change of Heart”
“An Encounter”
“Robbers”
“Me”
“You”
“Fallingforyou”
“About You”
“When We Are Together”
“Consumption”
“I Like America & America Likes Me”
“Jesus Christ 2005 God Bless America”
“If You’re Too Shy (Let Me Know)”
“TOOTIMETOOTIMETOOTIME”
“It’s Not Living (If It’s Not With You)”
“Menswear”
“Chocolate”
“The Sound”
“Somebody Else”
“Guys”
“I Always Wanna Die (Sometimes)”
“Love It If We Made It”
“Sex”
“People
