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The Mule’s Shadow: A Game-Changer in Mind-Bending Gameplay


Editor’s note: The following recap includes spoilers for Foundation Season 3 Episode 2.

A significant amount of drama unfolded during the <em>Foundation</em> Season 3 premiere, which had the monumental task of encapsulating a staggering 152 years’ worth of events, all while maintaining a connection to the ongoing narrative. Among these current events is the emergence of the Mule (Pilou Asbæk), a figure shrouded in darkness whose presence poses an existential threat to the entire galaxy. The latest episode, titled “Shadows in the Math,” crafted by the talents of Leigh Dana Jackson and Caitlin Parrish and brought to life by director Tim Southam, takes a slightly different approach. Episode 2 allows its diverse cast to take a moment to breathe, even if most of them find little respite or solace. They engage in intense calculations and strategies against an unknowable adversary, while simultaneously confronting their own mortality. This creates a dark yet captivating atmosphere that remains urgent and full of surprises, even in its quieter character-driven moments.

The cliffhanger from Episode 1 reveals Gaal Dornick (Lou Llobell) awakening from her prolonged cryosleep, acutely aware that the dreaded “herald of darkness” has finally made its arrival. Before Foundation continues with this suspenseful narrative, “Shadows in the Math” enriches the storyline by flashing back 151 years to the pivotal moment when Gaal and Hari Seldon (Jared Harris) founded the Second Foundation on the planet Ignis. Mentor and protégée face a daunting task of damage control to realign the galaxy with the Plan, opting to remain in cryosleep except for a few weeks each year. During their brief periods of consciousness, Hari dedicates himself to teaching psychohistory to the Mentalics, while Gaal showcases how they can utilize their psychic abilities to counteract the Mule. Their ambitious preparations extend beyond Ignis, as they seek to recruit more Mentalics from across the galaxy, thereby fortifying both the First and Second Foundations. Regrettably, time has transformed into an adversary rather than an ally, and they find themselves in desperate need of more time for humanity to have a fighting chance at surviving past the Third Crisis. Hari makes the selfless decision to stay awake, a choice Gaal resents yet understands, particularly given her impending confrontation with the Mule.

Upon her next emergence from cryosleep, Gaal discovers that 148 years have slipped away. Hari, now visibly aged with white hair, deep lines etched into his face, and slower movements, has managed to stay alive almost continuously. When Gaal encounters him in a forest, he reflects on how, despite his meticulously crafted plans, the future continues to revolve around Gaal; her significance ultimately eclipses his own. Hari entrusts Gaal with a Radiant filled with his extensive data regarding the Eight different Crisis. However, he omits to mention how close he is to taking his final breath. That very night, he and the Prime Radiant’s physical manifestation (Rowena King) depart for Oona’s World through a portal — and at this moment, the great Hari Seldon seems finally to accept death rather than evade it. The following morning, Gaal mourns her beloved teacher and surrogate father, a man she has fiercely admired, resented, and cherished. She envisions creating a statue of Hari akin to the three he meticulously carved to honor the loved ones they lost: Salvor Hardin (Leah Harvey), Yanna Seldon (Nimrat Kaur), and Raych Foss (Alfred Enoch). As it turns out, Hari has already immortalized his own likeness through a statue, which, of course, aligns with his character.

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The Expanding Influence of the Mule in ‘Foundation’ Season 3 Episode 2

Returning to the present timeline, Gaal grapples with her loss. As the leader of the Mentalics, Preem Palver (Troy Kotsur) reveals to Gaal the same perturbations in the Radiant that Demerzel (Laura Birn) previously identified. Meanwhile, the robot majordomo and the Cleons continue their ongoing discussion from the previous week. Brother Dawn’s (Cassian Bilton) strategic mindset seeks a resolution to the crisis. Unfortunately, psychohistory proves inadequate for rectifying such a vast disaster, especially since, as Demerzel states, “something has been casting shadows in the math for years.” In a state of resignation regarding their inevitable doom, Day (Lee Pace) lies sprawled on the floor, indulging in a spore drug, while bitterly pointing out the irony that a century spent following the Radiant’s guidance has led them to this point of despair. Dusk (Terrence Mann), who is already wrestling with the reality of his impending mortality, expresses his frustration over how an unforeseen catastrophe has rendered the lives of both him and Demerzel (his brief existence, hers infinite) “pointless.” As Demerzel turns away, Dusk insists that this disaster warrants a temporary reprieve from execution; rather than facing death in ten days concurrent with Dawn’s ascendance to the throne, he argues that Demerzel needs a partner for the forthcoming battle. However, she coldly rebuffs Dusk’s plea, stating, “I am the clock for every Cleon’s life. And the time I keep is exact.”

Shifting the scene to Kalgan, the epicenter of turmoil, the Mule makes a grand entrance into one of the palace’s lavish, expansive rooms. A banquet table is set, with a line of servants waiting expectantly. Skirlet (Isla Gie), the young daughter of the deceased Archduke Bellarion (Ralph Ineson), professes her deep affection for the Mule — her father’s murderer — stating she loves him “more than anything.” Striding past the gathered servants, the Mule candidly explains that while he possesses the ability to compel individuals to adore him, his talent is akin to a muscle that can tire from overuse. “Fortunately,” he jovially asserts, “I can convert some by way of demonstration.” He instructs Skirlet to place her father’s gun against her temple and pull the trigger. To her fortune, the gun is unloaded. With his point made, the Mule settles down to enjoy a lavish meal.

The Cleons Face Death, Destiny, and Defiance in ‘Foundation’ Season 3 Episode 2

Toran and Bayta Mallow relax in each other's arms in Foundation Season 3 Episode 2
Image via Apple TV+

Meanwhile, two new characters are introduced as a pair. Toran Mallow (Cody Fern) shows no interest in upholding the esteemed business or political legacy left by his celebrated ancestor, Hober (Dimitri Leonidas). However, he does relish the advantages of his family’s generational wealth, facilitated by the Alliance of Traders, as does his newlywed wife, Bayta (Synnøve Karlsen). The couple is attempting to enjoy their honeymoon until the ominous shadow of the Mule’s ship, the Blacktongue, disrupts their sunbathing. Despite this interruption, the blissful couple remains unconcerned about the Mule’s coup — their privileged existence has left them “too complicit” to worry about a would-be tyrant oppressing the innocent civilians of Kalgan. They are equally unperturbed by the unannounced visit of Captain Han Pritcher (Brandon P. Bell). The duo appears young, carefree, and self-absorbed, yet they are not oblivious; they quickly realize that the Foundation intelligence officer is seeking to recruit them as spies. Their recognition and social status have granted them an invitation to a forthcoming celebration of the Mule’s takeover, and Pritcher intends to accompany them as their guest.

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Keep ’em coming!

Back on Trantor, Day copes with the impending downfall of humanity by engaging in gambling sessions with soldiers. This seems to be a well-established routine, as the bar filled with officers holds a respect for the Emperor that is devoid of fear. To be fair, Day doesn’t present an intimidating presence as he leans against the soldiers’ shoulders, discussing their sick children with warmth and empathy. Later, Day warns Song (Yootha Wong-Loi-Sing</strong), his lover, that chaos is imminent. He expresses a desire to escape before everything crumbles, with Song’s home planet being his preferred destination. Dusk interrupts this moment of romantic distraction, having been denied even a few more months of life by Demerzel. He implores Day to overturn the decree that has curtailed their life cycles, masquerading his request as a means for Dusk to assume Day's unwanted "burdens." Day perceives Dusk's ulterior motives without hesitation, stating, "We’re ragdolls dressed up as kings,” acknowledging they are “monsters.” To emphasize his point, he inflicts a deep cut on his forearm, knowing the nanobots within his body will swiftly heal the wound, as both brothers are aware would happen. Day flicks his blood onto Dusk in a final act of defiance, leaving Song, who witnesses the exchange, visibly unsettled.

Emergence of Deadly Threats and Unexpected Alliances in ‘Foundation’ Season 3 Episode 2

Finally, Dusk concludes his rounds by meeting with Dawn. However, this time, Dusk refrains from making a plea. Instead, he offers to stand in for the absent Day at the robe transfer ceremony, ensuring a smooth transition for Dawn’s leadership. Dusk’s plans to assist the future Empire involve a clandestine gift that he has managed to keep away from Demerzel’s scrutiny. What kind of gift, you may wonder? The scene shifts to an engineer assuring Dusk that the Novacula, a “black hole bomb,” functions as promised. A demonstration follows: a singular beam of blue light shoots from the circular device, obliterating an entire planet and leaving a constellation of stars in its wake. Unlike the Death Star, the planet remains, but its matter has been irreversibly altered. Although Dusk is exhilarated by the outcome, he insists that the Novacula is meant to serve as a deterrent for Day to reserve for emergencies. The engineer disagrees, confidently asserting, “People will know I put death in your hands,” radiating pride in his creation.

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One astonishing revelation follows another during a dinner involving Dusk, Dawn, and Ambassador Quent (Cherry Jones), whom Dusk regards as a close friend despite her allegiance to the Foundation (or perhaps more than a friend, as they sit closely enough to snuggle). The civil conversation gradually shifts to the pirate responsible for seizing Kalgan. Dawn expresses a desire to “be prepared” for a confrontation with the Mule, not merely because a dictator has usurped power, but rather in case the Mule poses a direct danger to the Empire; he is wary of anyone capable of disrupting Hari’s predictions. With that, Dawn excuses himself to his chambers. He activates a private messaging system and welcomes a holographic image of none other than Gaal Dornick. “The Mule,” he says, beaming with anticipation. “I expected your call as soon as I heard the name.” Gaal, ever pragmatic, responds, “Time to make yourself useful, Empire.”

Foundation Season 3 is currently available for streaming on Apple TV+.

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Foundation

Foundation’s Latest Episode Offers Moments of Reflection Amidst Tension

Foundation’s latest episode gives its ensemble a chance to breathe, even though most of them don’t find any rest or solace.

Release Date
September 23, 2021

Network
Apple TV+

Showrunner
David S. Goyer

Directors
Alex Graves, Roxann Dawson, Jennifer Phang, Mark Tonderai, Andrew Bernstein

Pros & Cons

  • Episode 2 slows down enough to sit with the characters as they grapple with important character beats.
  • Day’s atypical characterization lets Lee Pace explore new ground.
  • Pilou Asbæk’s Mule continues to be an immediate highlight.

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Sarah Parker
Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.