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Swiss Journal of Research in Business and Social Sciences

Music

Zak Starkey Rehired as The Who’s Drummer, Confirms Townshend

Zak Starkey Makes His Triumphant Return to The Who as Their Drummer.

On Saturday, April 19, the iconic guitarist of The Who, Pete Townshend, took to social media to share exciting news regarding the legendary drummer, Zak Starkey. Starkey, who is the son of Ringo Starr and has held the drumsticks for The Who for nearly three decades, has officially been reinstated in the band after facing what Townshend described as “communication issues.” This announcement has sparked much enthusiasm among fans and followers of the band, who eagerly await updates on their favorite musicians.

Townshend, in a heartfelt post on The Who’s official Instagram account, expressed his relief and support for Starkey, stating, “News Flash! Who Backs Zak! He’s not being asked to step down from The Who.” He elaborated that there have been some personal and private communication issues that needed addressing, and he is pleased that they have been resolved amicably. This positive turn of events highlights the band’s commitment to maintaining a harmonious working relationship.

The timing of this announcement is significant, as it comes just days after Starkey took to social media to quell rumors surrounding his potential firing. These rumors were reportedly fueled by Roger Daltrey, the band’s lead singer, who expressed dissatisfaction with Starkey’s performance during a benefit show for Teenage Cancer Trust at London’s prestigious Royal Albert Hall in late March. Fans have been following this drama closely, eager for clarity on Starkey’s status in the band.

In his detailed post, Townshend provided further insight into the situation, stating, “Roger and I would like Zak to tighten up his latest evolved drumming style to accommodate our non-orchestral lineup, and he has readily agreed.” He took responsibility for some of the misunderstandings, explaining that the band’s performances at the Royal Albert Hall were particularly challenging for him due to his recent knee replacement surgery. He humorously reflected, “Why did I ever think I could land on my knees? Wrong!” This candidness showcases the vulnerabilities faced by even the most seasoned performers.

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Townshend also acknowledged that the band may not have invested enough time in sound checks, which contributed to on-stage difficulties. He noted, “The sound in the center of the stage is always the most difficult to work with.” He emphasized that Daltrey did nothing wrong by adjusting his in-ear monitors, and that Starkey made a few mistakes, for which he has apologized. With a touch of humor, he remarked on the situation, referring to Starkey’s apology as being made “with a rubber duck drummer.” This light-hearted approach illustrates the camaraderie within the band, despite the tensions that arose.

Addressing rumors that Scott Devours, Daltrey’s solo drummer, might replace Starkey, Townshend reassured fans of Starkey’s position in the band. He stated, “As for Roger, fans can enjoy his forthcoming solo shows with his fabulous drummer, Scott Devours, who it was rumored might replace Zak in The Who and has always been supportive of the band.” Townshend further expressed regret for not quelling these rumors sooner, acknowledging that Devours had been hurt by the speculation. He promised to make amends with Devours and even treat him to a drink as a gesture of goodwill.

Starkey later took to his own Instagram account to share Townshend’s post, expressing his gratitude for being part of The Who family. He stated, “V grateful to be a part of the who family Thanks Roger and Pete xx.” His heartfelt message reflects the strong sense of unity and support among the band members, as they navigate the ups and downs of their long-standing musical journey.

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The charity shows held at the Royal Albert Hall on March 18 and 20 became a focal point for the recent tensions when Metro reported that Daltrey grew increasingly frustrated during the performances, pausing several songs due to difficulties hearing the band over Starkey’s drumming. This revelation added fuel to the fire of speculation regarding Starkey’s future with the band, as fans and media alike scrutinized the dynamics on stage.

In a statement to People on April 16, Starkey pushed back against the criticisms, expressing his surprise that anyone would have an issue with his performance. He reflected, “After playing those songs with the band for so many decades, I’m surprised and saddened anyone would have an issue with my performance that night. But what can you do?” He also disclosed that he had experienced a “serious medical emergency” earlier in January, involving blood clots in his right calf. Thankfully, he reported that this condition has since healed completely and no longer affects his drumming or physical activities.

Starkey has been an integral part of The Who’s live lineup since 1996, when he joined the band for their reunion tour, delivering powerful performances of their renowned 1973 rock opera, Quadrophenia, in its entirety. His contributions have been invaluable in shaping the band’s sound and continuing their legacy in the rock music scene.

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Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.