Comedy remains one of the most versatile and widely intricate methods of storytelling. The notion of letting audiences laugh alongside a film allows for some genuinely beautiful story beats and emotional weight. At the same time, laughter is an infectious joy that, while seemingly easily replicated, is largely unmatched when a comedy film is firing off at maximum strength. The 2020s have had several exceptional comedies, but in terms of cinematic perfection, only five films have reached the mantle of comedy gold.
From insightful and philosophical films that utilize humor to amplify their deeper themes to wild, uncompromising visions of passion and creativity that are a blast from start to finish, these comedy films are the very best of an already great decade. While the very prospect of a list that ranks and chooses the very best of comedy is difficult, considering how everyone’s tastes fluctuate and are different from one another, these films stand out as some of the most engaging, well-crafted offerings since 2020.
‘The Worst Person in the World’ (2021)
The romantic comedy has been one of the most tried-and-true subgenres of comedy, dating back to the golden age of cinema. While there are several to choose from, The Worst Person in the World stands out as not only the best-crafted but the most emotionally insightful and strikingly beautiful rom-com of the 2020s, too. This layered Norwegian coming-of-age film chronicles four years in the life of Julie (Renate Reinsve) as she navigates the troubled waters of her love life and struggles to find a concrete career path, forcing her to look inward at the aimless nature of her life.
While many romantic comedies are quick to create lavish, over-the-top and unrealistic worlds and characters that act more as tools for comedy over any impactful storytelling, The Worst Person in the World has its cake and eats it too by having insightful, layered, and realistic characters while not losing a touch of its wit or comedy. It might not be as rambunctious or over-the-top as the other entries on this list, but its distinct style of subtle, layered comedy mixed with insightful storytelling and beautiful filmmaking makes The Worst Person in the World a major accomplishment for rom-coms. It’s so impactful that it is not only among the best comedy movies of the 2020s, but also one of the best romance movies of the past 5 years.
‘The Holdovers’ (2023)
An entertaining and comedic duo can make all the difference in terms of elevating a film to all-time comedy status, a prospect entirely understood by The Holdovers. The film skyrockets to cinematic heights thanks to its portrayal of the unlikely friendship of a troublemaker student (Dominic Sessa) and a stern instructor (Paul Giamatti). The comedic chemistry between this duo makes for one of the most wildly entertaining, exceptionally heartwarming, and genuinely emotional duos in modern comedy. Each actor brings out the best in one another, with their characters learning and growing as a result of their time together and coming out the other side with a better perspective on the world and their vastly different generations.
However, the primary duo proves to be only a single aspect of the pristine excellence that has transformed The Holdovers into the definitive holiday classic of the 2020s. The Oscar-winning supporting performance by Da'Vine Joy Randolph brings additional layers of emotion and depth to the story, while the winter setpieces add a distinct comfort and joy. At times, The Holdovers feels like the cinematic equivalent of a joyous holiday party with family, as while it isn’t without its wild hiccups and infighting, it comes out the other end making you feel all warm and happy inside like only the absolute best holiday comedies can achieve.
‘Nirvanna the Band the Show the Movie’ (2026)
Image via NEON
On the one hand, it may seem absolutely preposterous to include a film that came out in 2026. However, those who have experienced the madness and comedic brilliance of Nirvanna the Band the Show the Movie will be quick to sing its praises and understand exactly why it has confidently earned its spot among the very best. This Canadian love letter and film adaptation of the cult classic comedy web series turned television series is about as effortlessly charming and filled with passion as a modern comedy could hope to achieve. Best friend comedy duo Matt Johnson and Jay McCarroll have been honing their craft and the comedic mileage of these characters for decades now, with this film feeling like a culmination of their craft.
This absurd comedy film follows the duo’s titular wannabe band attempting to get a show at the Rivoli theater, a goal that they have been fighting for and performing elaborate schemes to accomplish since 2008. However, after their latest plan goes awry, the duo unintentionally finds themselves traveling back in time and getting stuck back in 2008, getting into all sorts of mischief and risking changing history as they try to find a way back home. Even to those who are completely unaware of the original web series or Matt Johnson’s previous directorial works, Nirvanna the Band the Show the Movie is an effortlessly entertaining sci-fi comedy that speaks to the distinct style of personality-fueled comedy that defines independent comedy of the 2020s. The overwhelming praise that the film has received is not unwarranted, as it’s already earned its spot among the best comedy films of the 2020s and possibly even the 21st century.
‘Poor Things’ (2023)
Greek director Yorgos Lanthimos has been the absolute king of strange and uncomfortable dark comedies that simultaneously have audiences laugh and recoil in confusion with their mixture of unsettling themes, biting satire, and comedic wit. While many of his films have scratched this distinct itch, Poor Things broke through the mold not only as his most acclaimed and successful film to date but also became the blueprint for perfect dark comedies of the 2020s. It features a strange, uncomfortable premise that inherently alienates a section of the audience. The approach allows the film to go all out in terms of its strange worldbuilding and sense of comedy, being all the better for it. It blends striking visuals with unrestrained dark comedy and insightful messaging to create one of the funniest comedies of the 2020s.
The film sees Emma Stone as Bella Baxter, a woman brought back to life by an unorthodox scientist who transported the brain of an unborn child into the body of its suicidal mother. Running off with a lawyer to explore the world with mental acuity akin to that of a child yet possessing an adult’s body, Bella soon learns grim truths about human experiences while standing for equality and liberation. Between all wild concepts present within it, Emma Stone’s masterful performance as Baxter strikes perfect balance between wildness and thought-provoking themes within this film. She emerges as one of history’s great comedic protagonists—both hilariously engaging yet deeply written.
‘Hundreds of Beavers’ (2024)
The essence of great comedy is that even with a minuscule budget compared to contemporary blockbuster comedies can still yield top-notch laughs through vision execution alone. No low-budget comedy exemplifies this understanding better than Hundreds Of Beavers, which serves as both an absurd love letter towards slapstick humor while showcasing manic absurdity within itself. It’s safe bet that this movie will become celebrated classic fifty years from now due its unique creativity paired with passion making it enthralling experience overall.
The plot revolves around drunken applejack salesman whose livelihood gets destroyed leading him towards fur trading survival during harsh winter months ahead. As he becomes adept at hunting various creatures inhabiting North American forests he inadvertently creates feud against local beaver population. From goofy mascot costumes representing animals featured throughout scenes down through green screens making characters appear cartoonish—<emHundreds Of Beavers showcases impeccable comedic timing alongside wit reminiscent digital era evolution classic slapstick films overall—combining styles old new alike exemplifying limitless potential within genre itself painting bright future ahead.
