Stephen Graham’s Adolescence has remarkably surpassed Bridgerton, Stranger Things, and a host of other popular series on Netflix, claiming a prime position in the streaming giant’s Top 10 list with an astonishing 114 million views.

The limited series Adolescence has emerged as Netflix’s latest phenomenon, rapidly climbing the charts of the platform’s Top 10 since its launch last month. Currently, it holds the impressive #4 position on Netflix’s list of the Most Popular Shows of All Time, amassing over 114 million views. This gripping series has managed to surpass notable titles such as The Queen’s Gambit, Bridgerton seasons 1 and 3, The Night Agent, and Stranger Things season 3, demonstrating its widespread appeal and cultural impact.

With Monster: The Jeffrey Dahmer Story currently at #3 with 115.6 million views, Adolescence is poised to potentially overtake it soon. This thought-provoking series delves into the harrowing narrative of a 13-year-old boy accused of a classmate’s murder, prompting a deep exploration of the circumstances surrounding the tragic event. The series uniquely presents each of its four episodes shot in one continuous take, showcasing a remarkable achievement in filmmaking that adds to its emotional intensity and viewer engagement.

Starring Stephen Graham as Eddie Miller, the father of the accused Jamie Miller (played by Owen Cooper), Adolescence features a talented cast including Ashley Walters as Detective Inspector Luke Bascombe, Erin Doherty as Briony Ariston, Fay Marsay as Detective Sergeant Misha Frank, Mark Stanley as Paul Barlow, and Christine Tremarco as Manda Miller. This ensemble brings depth to the complex themes of the story, engaging viewers with their compelling performances.

In light of the overwhelming success of the series, Stephen Graham, who co-created Adolescence, alongside his producing partner and wife, Hannah Walters, are considering the exciting prospect of a sequel. “Possibly, let’s see how the figures are,” Graham mentioned thoughtfully. “But yes, there’s the possibility of developing another story.” Walters elaborated, “A prequel to Adolescence is certainly not on the table. However, there is so much potential to delve into the one-shot format and further investigate human nature, exploring new narratives. Everything is looking positive, and everyone seems pleased, shall we say?“

Our own Alex Maidy was thoroughly impressed by the show, stating, “This series provides a powerful and shocking examination of themes that have been subtly referenced in the news for years, presented in a way that compels viewers to reflect on the possibility of such devastating events occurring closer to home,” Maidy expressed. “Stephen Graham and Jack Thorne have meticulously crafted a series that left me emotionally shattered by the end of the fourth and final episode. Adolescence is indeed challenging to watch, yet it is an essential experience. I haven’t felt this moved as a parent by a narrative work since Alfonso Cuaron’s Children of Men. Adolescence stands out as one of the finest television productions of the year, the decade, and perhaps of all time.” You can explore the rest of his insightful review right here.