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Alpha Gang: TIFF’s Most Polarizing Sci-Fi Film Starring Chris Pine and Cate Blanchett


Let’s face it, humanity is weird. We are contradictory beings. We do things that just don’t make sense and when we’re asked to give a reason, sometimes all we can come up with is, “Because I wanted to,” or, even worse, “I don’t know.” We are sometimes inherently nonsensical, ruled by our emotions, and will often do things that go against our better judgment. That’s exactly what the aliens of Alpha Gang quickly discover after they arrive on Earth, dead set on conquering us. Nathan and David Zellner‘s quirky and aesthetically pleasing sci-fi flick shows what happens when a gang of aliens is dropped on Earth and finds their own humanity; the result is wacky, illogical, and bizarrely wholesome.

What Is ‘Alpha Gang’ About?

Cate Blanchett in Alpha Gang

Cate Blanchett in Alpha Gang
Image via Dirty Films

From the moment we’re dropped into the world of Alpha Gang, it’s clear that we’re in for an unconventional ride. There’s a group of aliens, each named numerically in order of their arrival on Earth; Alpha Six (Riley Keough) is the latest to land on Earth in her new human body. Met by Alpha Three (Kelvin Harrison Jr.), the pair head back to their headquarters, a medieval-looking castle where Six meets Alpha One (Léa Seydoux), Alpha Two (Dave Bautista), Alpha Four (Lily-Rose Depp), and Alpha Five (Doona Bae). Though the gang of aliens might be difficult to take seriously when they’re dressed like ’50s greasers — with leather jackets, poodle skirts, and bouffants — their mission is to take over the world. Or at least, that’s the intention. How they might actually execute their plan is still up for debate.

Appearing monotonous, eccentric, and aloof, the gang are alarmed by the fact that they only possess five senses and fear the very contagious disease of “emotions” that might affect their judgment. They spend their days dancing to a jukebox full of ’50s and ’60s pop, arming themselves to the teeth with all manner of modern weapons, and planning picnics that ultimately end in a shootout against the local humans who seemingly have no idea that they’re being invaded.

Plans go awry when a new alpha, played by Chris Pine, appears unexpectedly. The new alpha (let’s call him Seven) is embracing every aspect of the wacky and silly — oh and also, he knows that there’s an infiltrator amongst their group. One of them is actually part of the Beta Gang, whose goal, he points out, is to ultimately supplant Alpha Gang. Beta Gang, led by Beta One (an eye-patch-wearing Cate Blanchett), are the upgraded version of the Alphas; they listen to electronica, dress a bit more severely, and lack any of the empathy that the Alphas have acquired since their arrival on Earth. When the two groups clash, with those deadly emotions bubbling up to the surface, Alpha Gang goes from quirky and subdued to fully embracing violence, action, and all-out war.

You’ll Either Love or Hate ‘Alpha Gang,’ There’s No In Between

tiff-2026-logo
Image via TIFF 2026

There’s an absurdity inherent to the Zellners’ films that has become somewhat of a trademark for them, especially after Sasquatch Sunset. All the comedy in Alpha Gang is approached with a straight face, stemming from the fact that these emotionless aliens are discovering that those pesky emotions actually give their lives meaning. From slapstick stunts to deadpan one-liners, these characters are meant to feel alien in all senses of the word. What makes them so endearing is that they are slowly discovering humanity; the humor goes hand-in-hand with the heart. Whether it’s Alpha One and Two quietly developing a connection with each other or Alpha Three writing love notes to a falcon named Periwinkle, the movie leans into the schmaltz.

Alpha Gang is marmite. It’s polarizing. You either love it or you hate it; there’s no real middle ground. Either the silliness and inherent aloofness of the film grab your attention and keep you invested or you think it’s all a bunch of ideas thrown at a wall and wrapped up in a glossy and sleek aesthetic. The Zellners seem to understand this as the film never once leans away from this theme nor does it do anything half-assed. If the Alphas are shooting their guns and attacking people, they’re screaming at the top of their lungs, shooting bazookas out into the wild, and emptying multiple clips of their machine guns to kill just a couple of people. It’s a film that operates in the extremes, and it knows it.

The lesson at the heart of Alpha Gang is not difficult to grasp. We’re watching these aliens fall in love, find their individuality, discover what it means to dream. We’re watching as they abandon any idea of domination or extermination and become enamored with the idea of living and embracing the contradictions of humanity. Their hyperbolic behavior only highlights how drastically they change as they go from being unfeeling to being completely consumed by those same emotions they fear so much. Even if the climax of the film might lean a bit too far into the extremes — there’s one particularly long action sequence that ends up overstaying its welcome — Alpha Gang is never once apologetic for how wacky it is. In fact, it knows it’s weird, and you can either take it or leave it.

‘Alpha Gang’ Is All Style With Enough Substance To Keep It Afloat

Much of Alpha Gang’s 109 minutes ends up feeling more like a fever dream music video than a true narrative film. The jukebox at the center of the Alphas’ compound plays a soundtrack of needle-drop love songs. The gang enjoys playing badminton as much as they enjoy a good old dance session, each of them swaddled in peak greaser fashion. Costume designer Susie Coulthard (100 Nights of Hero, Black Mirror) gives each member of the Alpha Gang their own distinctive look, drowning them in black leather and plain white shirts highlighted by deep red accents. If the aliens are spinning out of control, at least they are going out in manicured perfection.

The whimsical brutalist architecture that fits into alien architecture clashes with more romantic historical castles around them. The humans of this world are from some ambiguous period in recent history (the movie was filmed across Eastern Europe), currently fighting an unknown civil war with each other. Dressed in linen and cotton, their more grounded and conventional appearance only makes the Alphas seem foreign and plucked out of time. The visual language being employed is overt and far from subtle.

At the end of the day, much of what makes Alpha Gang entertaining is also what might turn off viewers. It’s asynchronous, it’s surreal, it’s irreverent, and there’s a wholesome core that will likely seem just a bit too obvious if you’re looking for something deeper. But as polarizing as Alpha Gang can be, there’s still fun charm if you allow yourself to indulge in its weirdness and humor. It’s not meant to make a whole lot of sense; it’s not meant to be taken too seriously — just sit back, enjoy the music, and watch as these aliens discover what it means to be human.



Release Date

September 13, 2026

Runtime

109 minutes

Director

David Zellner,Nathan Zellner

Writers

David Zellner

Producers

Andrea Bucko,Cate Blanchett,
Coco Francini,David Zellner,
Gina Gammell,Nathan Zellner,
Ryan Zacarias





















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Sarah Parker
Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.