A select group of celebrities often struggles to make a lasting impression on the covers of our beloved fashion magazines. Among this exclusive list, Emma Corrin stands out as a notable example. Over the years, Emma has graced the covers of prestigious publications like Harper’s Bazaar and Vogue Germany, but her appearances have often been met with mixed reviews, leading many to label them as flops. In an exciting turn of events, Kenya Hunt, the editor-in-chief of British ELLE since 2022, has welcomed Emma back for the magazine’s April 2025 edition. This marks a significant return for Corrin, who last appeared on the cover over two years ago. The British actor shines in a captivating photo shoot captured by Yulia Gorbachenko and styled by Charles Varenne. The minimalist cover features Emma in a chic Miu Miu polo and the iconic 1934 Aga Khan Cartier tiara from Cartier, showcasing a blend of contemporary and classic fashion elements.
Discover Emma Corrin’s Stunning Cover for British ELLE in May 2025
Explore the Enthusiastic Reactions from theFashionSpot Forum Community
As soon as the cover was revealed, forum member Kite enthusiastically remarked, “A polo and the 1934 Aga Khan Cartier Tiara… get that advertiser budget!” highlighting the fascinating juxtaposition of modern fashion with historical elements. This reaction speaks to the growing interest in how luxury brands like Cartier are integrated into contemporary fashion narratives.
Another user, tigerrouge, pointed out the strategic timing of the cover, saying, “And timed to help publicize the new Cartier exhibition at the V&A.” This underscores the synergy between fashion and art, as well as the trend of using magazine covers to promote significant cultural events.
A comment from Deleted Member 116857 raised a critical perspective: “Why does this person have such a stranglehold on fashion/film/tv. I’ve had enough. They annoy me so much!” This sentiment reflects a broader conversation about celebrity influence in the fashion industry and the often polarizing nature of public figures.
On a more positive note, user jjjmmm shared, “I’m starting to like Emma, but enough with the Miu Miu overload,” indicating a growing appreciation for Corrin while also expressing a desire for variety in styling choices. This comment highlights the ongoing dialogue in fashion about the need for innovation and diversity in wardrobe selections.
In contrast, MModa mentioned, “The styling definitely suits Corrin. However, this is not what I consider ‘power dressing’,” pointing to the subjective nature of fashion interpretation and the varying definitions of power dressing among fashion enthusiasts.
TaylorBinque echoed MModa’s sentiments, stating, “Power dressing, not,” further emphasizing the differing expectations of fashion aesthetics among viewers. This discussion illustrates the complexities of defining success in fashion.
Interestingly, not every viewer was disenchanted with the cover. User vogue28 admitted, “Oddly enough, I don’t hate this,” appreciating the simplicity and vulnerability that the cover exudes. They noted, “The use of the tiara instantly reminded me of the photograph of Kate Moss by Bert Stern from 2001!” This comment connects Emma Corrin’s cover to a notable moment in fashion history, showcasing how past influences continue to shape modern aesthetics.
To see more of Emma Corrin’s stunning cover shoot for British ELLE and to join in the vibrant conversation, click here.
