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Greatest Western Shows on Paramount+ Rated 10/10


In the age of neo-Westerns we presently find ourselves, perhaps no streaming giant has a finer collection of modern television horse operas than Paramount+. Not only does this streaming platform feature the near-full catalog of Taylor Sheridan dramas (sorry, Yellowstone), but it also offers some of the best non-Sheridan works out there. While perhaps not as popular as Netflix or HBO Max, Paramount+ remains the streaming home of some of the best Western TV shows out there.

But just because a Western show is on Paramount+ does not mean it’s perfect. After all, Landman has been considered a neo-Western by some, and it features its own share of disappointments. Likewise, Hell on Wheels falls more in line with traditional Western definitions and yet still has a few holes of its own. So, with that in mind, here are the Paramount+ Westerns that we’re proud to give 10/10 status, believing that these are the cream of the streaming platform’s abundant Western crop.

‘Joe Pickett’ (2021–2023)

Michael Dorman as Joe Pickett standing outside with police behind him

Michael Dorman as Joe Pickett standing outside with police behind him
Image via Paramount+

Although it only ran for two seasons in the early 2020s, Joe Pickett is a neo-Western mystery drama that is just about everything you could hope for. Originally a Spectrum series, it moved to Paramount+ for its second season, which pushed the show’s titular Wyoming game warden (played by Michael Dorman) further into the wilderness than ever; the series cast includes Julianna Guill, Sharon Lawrence, and David Alan Grier. The way the show expertly blends the Pickett family’s life with the thrilling mysteries of the great outdoors makes this a must-watch on the streamer.

Based on the book series by C. J. Box, Joe Pickett tackles a new case per season that forces Joe to confront his troubled past in order to ensure his family’s future. Unlike some of the more nihilistic takes on the modern West, this series speaks to the traditional Western hero, with Joe exuding all the qualities of the type of lawman seen in the Westerns of the ’50s and ’60s. It’s certainly a trek into the wild worth taking.

‘1923’ (2022–2025)

Helen Mirren leans against Harrison Ford and they both look sad in 1923 Season 2.

Helen Mirren leans against Harrison Ford and they both look sad in 1923 Season 2.
Image via Paramount+

The second prequel in Taylor Sheridan’s larger Yellowstone universe, 1923 is a two-season prequel drama that admittedly leaps outside the typical period constraints that most Westerns follow, though it does so in a way that still feels both historical and thrilling. As the Duttons of this age — led by Harrison Ford and Helen Mirren — face those who would steal their land from beneath their fallen corpses, Sheridan uses this prequel series to speak to a lesser-known period of Montana history. Saddle up, this one’s intense.

During America’s Prohibition, Big Sky Country was already in a Great Depression of its own, and we can see the desperation throughout. Everything from the violent outbursts by rival sheepherders, the poor treatment of Native American women, the globetrotting adventures of a World War I vet (played by Brandon Sklenar), and the depravity of a villain who wishes to gobble up all of Paradise Valley for himself is on full display here. 1923 tells as fantastic and heart-wrenching story of love, loss, redemption, and sacrifice that’s far better than Yellowstone.

‘Lawmen: Bass Reeves’ (2023)

David Oyelowo as Bass Reeves sitting on horseback in Lawmen: Bass Reeves Episode 3.

David Oyelowo as Bass Reeves sitting on horseback in Lawmen: Bass Reeves Episode 3.
Image via Paramount+

Although executive produced by Taylor Sheridan, Lawmen: Bass Reeves is the brainchild of Chad Feehan, who brought the titular lawman to life through the performance of the exceptional David Oyelowo. Told in eight parts, This Bass Reeves miniseries follows the slave turned U.S. Marshal as he patrols Indian Territory in the latter half of the 19th century, all while dealing with social and societal pressures around him. Oyelowo is incredible as Reeves, giving a true face to this historical figure who remains largely unknown.

Filled to the brim with fantastic performers, which also includeLauren E. Banks,Forrest Goodluck ,Dennis Quaid , andDonald Sutherland ,Lawmen: Bass Reeves is a standalone story that paints an often overlooked picture of American West. AlthoughFeehan has teased (indeed we hope it does),the Bass Reeves story is just as good as any other drama here.

Collider Exclusive · Taylor Sheridan Universe Quiz
Which<Taylor Sheridan Show Do You Belong In?

Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. Allof them brutal, complicated, and built on power, loyalty, andthe priceof survival.Taylor Sheridan doesn’t write heroes — he writes people who do what they have to do and live withthe cost.Ten questions will reveal which oneofhis worlds you were made for.

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‘Longmire'(20122017)

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‘18831921 – 20’

If you’re still infatuated withthe Yellowstone universe , thenTaylorSheridan’s groundbreaking original prequel ,18831921 remains amasterpiece to enjoy onParamount+. Setin th titular year ,it follows th original bandofDuttonsthat traveled from Texasallthe way uptheOregonTrailtoParadiseValley ,Montana .Withacastthat includesSamElliott ,TimMcGraw ,FaithHill ,IsabelMay ,andLaMonicaGarrett,18831921 has become aquickclassicduetoits powerhouseperformancesandattentiontohistoricaldetail .

The episode countof10,18831921 painstakingly presentsan uncompromising ,bloody ,and robust pictureoftheAmericanWest .As thDuttons dealwitheverythingfrombanditsandvandals toviolentIndiansand disease ,weget afullscope lookatthehardshipsthat thosewestwardhomesteadersfaced.As anorigin storyto thYellowstonebrand,18831921 isconsistently hailedasth franchise’sbest.

Gunsmoke(19551975)

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Sarah Parker
Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.