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Inhaler Releases New Album ‘Open Wide’ Produced by Kid Harpoon

Over the last 18 months, there has been a remarkable transformation surrounding the Irish band Inhaler. This energetic quartet, consisting of Eli Hewson (vocals, the son of U2?s Bono), Ryan McMahon (drums), Bobby Keating (bass), and Josh Jenkinson (guitars), has attracted a vibrant and youthful fanbase. Their recent support slots for megastars like Arctic Monkeys and Harry Styles during sold-out stadium tours have undoubtedly played a significant role in this surge. This newfound popularity comes on the heels of their chart-topping debut on the U.K.’s Official Albums Chart with It Won?t Always Be Like This (2021) and their latest album, Cuts & Bruises (2023), which impressively reached No. 2.

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The new tracks featured on their third album, Open Wide, released through Polydor, showcase a vibrant and expansive sound, marking the band?s most impressive work to date. Their live performances are gaining momentum, with venues both locally and internationally witnessing tickets selling out within minutes. This begs the question: what has led to this perfect storm of success?

?I think we know what we want from our music now,? reflects frontman Eli Hewson in an interview with Billboard UK. ?In our earlier days, we were eager for acceptance and wanted to forge connections with listeners. While that desire remains, it has evolved into a greater focus on creating music that resonates with us personally and authentically.?

Open Wide was expertly produced by Kid Harpoon, who played a pivotal role in shaping the mellow and inviting sound of Harry?s House, the Grammy-winning album by Harry Styles, along with Styles’ earlier hit album, Fine Line. Kid Harpoon’s expertise extends beyond Styles; he has also collaborated with major artists such as Miley Cyrus, responsible for the chart-topping single ?Flowers,? as well as HAIM and Florence + The Machine. His influence is evident on Open Wide, resulting in a polished and innovative sound.

Featuring on Open Wide is the talented songwriter Amy Allen, known for her collaborations with Kid Harpoon and her impressive songwriting portfolio, which includes hits like Espresso by Sabrina Carpenter and ?Please Please Please.? She has also contributed to tracks for ROSÉ and Bruno Mars, and recently celebrated a significant achievement by winning the Songwriter of the Year award at the 2025 Grammys, becoming the first female artist to earn this honor.

The decision to relocate to L.A. during the album’s writing process provided the Dublin-based band with the tranquility and clarity they needed. ?This transition allowed us to sound more in line with our artistic vision. The peace and quiet helped us tune into our instincts. In contrast to our experiences in London while crafting our earlier albums, where uncertainty loomed, this time around, we embraced calmness throughout the creative process. It felt gratifying to truly hear ourselves out, free from external pressures.?

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The resulting lightness and confidence permeate the songs on Open Wide. The album’s title track features a driving, understated EDM beat that culminates in an explosive chorus. Similarly, tracks like ?A Question of You? and ?Billy (Yeah Yeah Yeah)? abandon the moody reverb characteristic of their previous album, Cuts and Bruises, boldly leaning into a sound that is more accessible and commercially appealing.

In February, Inhaler will embark on a significant U.K. tour, featuring some of their largest shows to date, including sold-out performances at London?s O2 Academy Brixton. Following this, they will take their music to North America, Latin America, and Europe, culminating in a highly-anticipated homecoming concert in Dublin for an audience of 20,000 enthusiastic fans.

While promoting their new work from Amsterdam, the band shares insights about the invaluable contributions of Kid Harpoon and Amy Allen, the evolving indie music landscape, the global rise of Irish artists, and much more.

As this is your third LP, does the release week become any less stressful or more enjoyable?

Eli: The doubts tend to creep in during the final week leading up to the release. Just yesterday, we hosted an album playback for some fans who experienced it for the first time, and their positive reactions were encouraging.

Ryan: Yes, but I doubt they would share their honest opinions directly with us. However, I bet some fans would not hesitate to voice their thoughts?

What made this experience feel different, considering you mentioned the pressure was off?

Josh: This time, we enjoyed the freedom of creation without the constraints of deadlines or impending tours. We could explore and experiment with our music without feeling rushed, allowing us to assess our work afterward rather than in the moment.

Eli: Kid Harpoon?s approach was refreshing; he insisted that no record labels or managers be present during recording sessions. ?It?s just us making this album, and we?ll evaluate singles later,? he emphasized. This focus on the album itself, rather than chasing individual hits, was a new and liberating experience for us. In the past, we often felt pressured to produce singles quickly and hit the road, making this opportunity to reflect and create a significant change.

What motivated you to change your approach and collaborate with a new producer?

Eli: Initially, we felt a mix of excitement and apprehension. It marked our first time working with someone outside of our established collaboration with Antony Genn, who we had been with since our teenage years. It felt like an important transition, as our past working relationship had run its course and we were ready to explore new creative avenues.

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Josh: Kid Harpoon turned out to be a fantastic collaborator. At first, we were uncertain if he could resonate with our style, but realizing he had produced the latest Kings of Leon album, Can We Please Have Fun, eased our concerns. His direction often pushed us out of our comfort zone, encouraging us to avoid overly commercial sounds and embrace a more authentic vibe.

Inhaler

Inhaler
Lewis Evans

What were your experiences like during the recording sessions in L.A. and London?

Josh: Our sessions were highly productive, with a sharp focus on our goals. We spent about nine days in L.A. before transitioning to RAK Studios in London. We established a clear plan and dedicated ourselves to achieving our objectives while ensuring we enjoyed the process as well.

Ryan: Interestingly, Kid Harpoon would not send us the recordings from each day. He would suggest, ?Yeah, Brian, the engineer, will send it,? but it rarely happened. This allowed us to approach each session with fresh ears, experiencing our recordings as if they were brand new. We often found ourselves overthinking in the past, so this approach was liberating.

Amy Allen made significant contributions as well. What was her input like?

Josh: She was present to listen to our songs while we were in L.A. It was remarkable to have someone of her caliber, with an impressive track record, come in and affirm, ?You?ve got some solid tunes.? Her singing along was incredibly motivating for us.

Eli: It was a fantastic experience. She would effortlessly hum melodies that left us in awe. We were fortunate that she could drop by, as she had canceled another session. Her presence infused fresh energy into our work, and her success speaks volumes about her talent.

Josh: Her beautiful voice and timely visit were much needed, especially on a day when we were feeling fatigued from the creative process?

Ryan: ?it indeed felt like a visit from an angel!

How has the dynamic within the band evolved over the years? It appears that you?re all aligned on this album?

Eli: We?ve successfully maintained our cohesiveness. Being in this band is a sacred experience for us. Our conflicts have diminished significantly; we got through much of that during our teenage years! This band has always been the core of our shared endeavors.

Ryan: Our love for creating music is genuine, and we pursue whatever feels right in the moment. There are never any rigid rules dictating how we should approach an album. We find that such constraints stifle creativity and lead to conflict, while our more organic approach fosters harmony and creativity.

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There seems to be a growing acceptance among indie artists and fans to embrace innovative sounds and collaborate with prominent songwriters and producers. The notion of ?authenticity? appears outdated in this context?

Josh: It?s invigorating to break free from repetitive patterns. Artists can evolve at their own pace, and audiences can appreciate this growth, which is an exciting prospect for all involved.

Ryan: Ultimately, what matters is your satisfaction with your creations. There are no defined rules for crafting a great song. People are increasingly open to diverse interpretations of a band?s sound; even we don?t fully grasp what audiences want until we present it to them.

Irish artists like Fontaines D.C., Hozier, and Kneecap have gained significant recognition in recent years. What do you think is driving this surge in popularity?

Eli: The main factor is their undeniable talent! Historically, artists felt pressured to conform to ?the American album? standard due to the dominance of American culture. However, as countries showcase their unique cultures and traditions, people are drawn to this authenticity, leading to a rich tapestry of music and art. It?s not about a competitive edge; it?s about genuine expression.

It seems that there is considerable support among Irish artists?

Eli: There has always been a strong sense of community among Irish musicians. We?ve never felt the need to fit into a specific scene, so there?s no competition; rather, there?s joy in seeing others succeed.

Bobby: The small size of our country contributes to this support system. Everyone shares the same venues on their path to success, and we genuinely wish the best for each other. We?ve all played the same stages as Fontaines, Hozier, and The Murder Capital. Especially when we perform in the U.K., we often encounter familiar faces and feel a strong sense of shared achievement.

What new dimensions will your latest material bring to your live shows?

Josh: Our new material will enrich our live performances, allowing for a more dynamic experience than we?ve previously offered. While we?ve always had a fast-paced style, we now have the ability to incorporate slower, groovier moments, creating a broader spectrum of musical choices for our audience.

Ryan: It?s also refreshing to infuse new energy into our setlist. After playing the same songs for an extended period, having fresh material is invigorating for us and our fans.

What valuable lessons did you learn from touring with Harry Styles and Arctic Monkeys that will shape your future performances?</

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