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Narnia Fans Have Limited Time to Watch the Franchise’s Final Film



A quick guide to the Narnia films

  • Netflix’s new film Greta Gerwig’s Narnia: The Magician's Nephew is planned as Netflix’s first original film to receive a full theatrical release.
  • Trilogy finale The Chronicles of Narnia: The Voyage of the Dawn Treader is the third film in the earlier trilogy, directed by Michael Apted.
  • Streaming availability The article says the film is available on Peacock in the United States until December 1.
  • Box-office comparison The three films earned reported worldwide grosses of $745 million, $420 million and $410 million, respectively.

Netflix’s upcoming Narnia film, Narnia: The Magician’s Nephew, has drawn attention ahead of its release. This article looks at the earlier Narnia trilogy, compares its reported box-office figures and explains where to watch its final film. Directed by Greta Gerwig as her follow-up to Barbie, the new film is reported to have had a turbulent production, with costs exceeding $250 million. C.S. Lewis’s fantasy novels previously inspired a trilogy that began two decades ago and concluded in 2010.

The trilogy’s final film is streaming on Peacock in the United States for a limited time, according to the article. Michael Apted directed the film; he was also known for the Up documentary series. The reported production budget was $155 million, and the film earned around $410 million worldwide.

The final film earned less than the first two installments. The Chronicles of Narnia: The Lion, the Witch and the Wardrobe made $745 million worldwide against a reported $180 million budget, while The Chronicles of Narnia: Prince Caspian made $420 million worldwide against a reported $200 million budget.

Collider Exclusive · 8 Questions · 2 Minutes
What Fantasy World Do You Belong To?
Middle-earth · Grand Line · The Continent · Camp Half-Blood

Pick your magic, your crew, where you want to wake up and who you would rather be fighting, and we will tell you which world you actually belong in. Four are open to you: an ancient kingdom living through its last good age, an endless sea full of pirates, a continent that pays people to kill monsters, and a summer camp where the Greek gods are extremely real and mostly a nuisance.

Middle-earth(Rings of Power)

Grand Line(One Piece)

The Continent(The Witcher)

Camp Half-Blood(Percy Jackson)

01

What kind of power do you want?
Every one of these worlds runs on a completely different sort of magic.




02

Who is travelling with you?
Nobody gets through any of these stories entirely on their own.




03

Where do you want to wake up tomorrow?
The best fantasy is usually just somewhere you would genuinely like to live.




04

How are you making a living out there?
Even in fantasy somebody has to pay for the horse.




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05

There is something in the woods. What do you do about it?
All four of these worlds keep something unpleasant out there in the dark.




06

Who is the villain of your story?
The enemy tells you far more about a world than the hero ever does.




07

What do you actually believe in out there?
Every world hands its heroes one rule and asks them to hold onto it.




08

A thousand years from now, how are you remembered?
Eight questions in, this is the one that decides your world.




The Map Is Drawn
Your World Is…

Four worlds and four completely different ideas of what a good life
looks like. This is where you belong, what it would ask of you, and what you would get back in
return.


The Rings of Power · Prime Video · Since 2022

Middle-earth

You belong somewhere old enough that the mountains have names and
somebody can still tell you who gave them. Middle-earth is for people who think the right
thing is worth doing even when it will not be finished in their lifetime.

  • This is the only world on the list where doing good is understood as a very long defeat,
    fought anyway, by people who will never see how it ends.
  • You are drawn to grandeur, to white cities and deep forges and the sense that almost
    everything you touch is older than your entire family line.
  • The Rings of Power is set in the last good age before it all goes wrong, which gives
    every quiet scene in it a slightly unbearable weight.
  • You would take the hard road, and you would take it on foot.


One Piece · Manga since 1997 · Netflix 2023

The Grand Line

You want the sea, a crew, and absolutely nobody telling you where
you are allowed to go. The Grand Line is the world for people whose main ambition in life is
finding out what is over there.

  • One Piece has run for decades on one very simple engine, which is a group of people who
    each want something impossible and have decided to go and get it together.
  • You collect people. Your ideal crew is a set of misfits who were each written off
    somewhere else before you turned up and offered them a better idea.
  • The world is enormous and deliberately ridiculous, and the emotional gut punches land
    harder because of that rather than in spite of it.
  • You would set sail knowing the map runs out, which is more or less the entire point of
    it.


The Witcher · Netflix · Since 2019

The Continent

You would rather be feared and useful than liked and useless. The
Continent is a world where the monsters are the straightforward part of the job and the
people are where it all gets complicated.

  • Witchers get paid to do what nobody else will and resented for existing at all, which is
    a trade most people would refuse and you would probably accept.
  • You have no real illusions about which side is the good one, largely because on the
    Continent that question tends to have a disappointing answer.
  • The best of these stories are not about the fighting. They are about somebody with a
    rigid code being repeatedly cornered into caring about people.
  • You would take the coin, finish the job properly, and be out of town before the story
    got told wrong.
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Percy Jackson · Disney+ · Since 2023

Camp Half-Blood

You want the myths to be real and loose in the actual world, and
you want to find out at about thirteen that you were never anywhere near as ordinary as
everybody kept telling you.

  • Percy Jackson takes the oldest stories we have and drops them into car parks and diners,
    which makes the gods considerably funnier and a great deal worse.
  • You would be the kid every school gave up on, who turns out to have been built for
    something nobody thought to test for.
  • The series is genuinely about friendship rather than destiny, and it says so out loud
    every time a prophecy tries to get in the way.
  • Camp Half-Blood is the real fantasy here: a place where the thing that made you
    difficult everywhere else is the thing that makes you belong.

How long can you watch the Narnia trilogy finale on Peacock?

The Chronicles of Narnia: The Voyage of the Dawn Treader is the third film in the trilogy. The cast includes returning actors Georgie Henley, Skandar Keynes and Ben Barnes, alongside Will Poulter and Simon Pegg. The article reports that the film has a 50% score on Rotten Tomatoes; the site’s consensus praises the performances and special effects while noting the film’s measured pace.

The Voyage of the Dawn Treader is the trilogy’s lowest-rated installment in the information provided. Andrew Adamson directed the first two films, while the third was directed by Michael Apted. It was also the trilogy’s only entry released in 3D, with the film converted to that format during post-production after Avatar helped popularize 3D cinema.

The article says Greta Gerwig’s new film, starring Daniel Craig and Meryl Streep among others, is scheduled for theatrical release in February 2027. It also states that The Voyage of the Dawn Treader is available on Peacock until December 1. The streaming date and release schedule are time-sensitive details and may change.

What are the film’s release details and cast?

The Voyage of the Dawn Treader was released on December 10, 2010, runs for 113 minutes and was directed by Michael Apted. The cast information below identifies the listed actors and characters.

The film’s release date is December 10, 2010, and its runtime is 113 minutes.


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Release Date

December 10, 2010

Runtime

113 minutes

Director

Michael Apted

  • instar51638501-1.jpg

    Georgie Henley

    Lucy Pevensie

  • Cast Placeholder Image

    Skandar Keynes

    Edmund Pevensie

  • instar53035138.jpg

  • instar53371055.jpg

    Will Poulter

    Eustace Scrubb






Where can you stream The Voyage of the Dawn Treader?

The article lists Peacock as the film’s streaming service in the United States, with availability ending December 1. Streaming catalogues and availability windows can change.

Peacock is the streaming platform identified for the film in the United States.

What is the Narnia trilogy’s box-office order?

The first film had the highest reported worldwide gross, followed by the second film and then the third. The reported figures show the relative box-office performance of the trilogy’s entries.

The Lion, the Witch and the Wardrobe earned more worldwide than Prince Caspian and The Voyage of the Dawn Treader.

  • The Lion, the Witch and the Wardrobe: $745 million worldwide; reported budget of $180 million.
  • Prince Caspian: $420 million worldwide; reported budget of $200 million.
  • The Voyage of the Dawn Treader: around $410 million worldwide; reported budget of $155 million.

The figures indicate that the first film earned the most worldwide, while the third earned slightly less than the second. These reported grosses are not the same as profit, since the figures do not account for distribution costs or other expenses.

When was The Voyage of the Dawn Treader released?

The film was released on December 10, 2010. Its listed runtime is 113 minutes.

The Voyage of the Dawn Treader premiered in 2010 and runs for 113 minutes.

Who directed the final Narnia trilogy film?

Michael Apted directed The Voyage of the Dawn Treader. Andrew Adamson directed the trilogy’s first two films.

Michael Apted directed the third film in the Narnia trilogy.

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Sarah Parker
Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.