The Rock and Roll Hall of Fame’s new Class of 2026 was announced on American Idol on Monday night (Apr. 13), and as always, the list of inducted artists — as well as the list of artists still left on the outside looking in — makes for a fascinating look at where the Rock Hall voting bloc’s priorities currently lie.
The eight artists who are to be inducted as performers this year are Phil Collins, Billy Idol, Iron Maiden, Joy Division/New Order, Oasis, Sade, Luther Vandross and Wu-Tang Clan — with Collins now a two-time inductee, having previously been entered as a member of prog-rock reverse-supergroup Genesis. Meanwhile, Celia Cruz, Fela Kuti, Queen Latifah and MC Lyte will also be entered via the early influence award, along with Linda Creed, Arif Mardin, Jimmy Miller and Rick Rubin as music excellence award honorees and Ed Sullivan as the Ahmet Ertegun Award recipient.
Meanwhile, nominated for 2026 but not inducted are New Edition, P!nk, INXS, The Black Crowes, Jeff Buckley, Shakira, Lauryn Hill, Melissa Etheridge and Mariah Carey. While Oasis, Iron Maiden and Joy Division/New Order all get in on their third nomination this year, Carey is left as one of just a dozen artists who have been nominated for the Rock Hall at least three times but still have not been inducted as a performer.
What do the list of inductees and snubs tell us about what the Rock Hall is thinking in 2026? Here are five quick takeaways we had following the Monday announcement.
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The ’80s Are the New ’60s & ’70s…
If you’re wondering where all the boomer acts are in the Rock Hall’s Class of 2026, you’re a couple months late to the question: Not only were there not any primarily ’60s or ’70s acts inducted this year — unless you count the Joy Division half of Joy Division/New Order, which released one of their two studio LPs in 1979 — there weren’t any nominated. (Billy Idol and Phil Collins both were relevant as recording artists in the ’70s, but only as frontmen for Generation X and Genesis, respectively, while Iron Maiden were recording as a band, but with a different lead singer — Paul Di’Anno — than the one they became most famous with, Bruce Dickinson.)
Instead, we have a surfeit of 1980s acts inducted this year: While most of them continued to have significant success into the ’90s, Idol, Collins, Maiden, New Order, Sade and Luther Vandross all really hit their commercial and artistic stride in the ’80s. It seems that after a long period of being treated as not as weighty for rock history as the decades that preceded it, the ’80s has finally assumed default status as the Rock Hall’s decade of choice for new inductees — and it will be interesting moving forward to see which other ’80s acts who had not even previously been considered may suddenly find themselves on the inside track to induction.
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…But We’re Not Totally Ready for the ’90s Yet…
While artists like Jeff Buckley, Melissa Etheridge and Lauryn Hill each fit the Rock Hall profile in different ways, all three were denied entry on their first nomination. Buckley’s and Hill’s respective minimal outputs probably hurt their cases a little, while Etheridge’s relative consistency perhaps makes her easy to take for granted — but clearly, we’re not at a place yet with the ’90s where such fitting-but-flawed cases reach the tipping point towards induction, as we may have just entered with the ’80s.
And as for the millennial pop icons, forget about it: While P!nk and Shakira both have arguments of their own to be made for eventual Rock Hall induction, both were likely just honored to be nominated this year, as we may be some years away still from the first predominantly 21st century, predominantly pop inductees.
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…Unless You’re Coming Off a Big, Triumphant Reunion Tour
There were two ’90s-bred artists who did make it past the Rock Hall’s velvet rope this year: Oasis and Wu-Tang Clan. What do they have in common, besides beloved catalogs, timeless cool and perennial combustibility? Both acts got it together in 2025 for extremely well-received reunion tours — with Oasis’ stadium trek receiving raves (and massive guest-list gets) around the globe, as Wu-Tang’s arena farewell tour brought half of hip-hop history on stage and delighted enough fans that the Wu decided to retract their goodbye and give it another go for 2026. Might not be a foolproof strategy, but clearly, if you’re looking to get over the hump with Rock Hall voters, a well-timed, career-capping live run wouldn’t hurt.
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R&B, But Not Pop
If there’s a takeaway to be had from Mariah Carey’s continued, largely perplexing Rock Hall snubbing, it’s that perhaps the voters still prefer their R&B to be a little less crossover-ready. Which isn’t to say that Luther Vandross and Sade didn’t both have enormous pop hits of their own — but they perhaps never crossed over quite enough for their pop success to equal or confuse their R&B success. (And at least they never went diamond or had double-digit Billboard Hot 100 No. 1s like Carey, whose commercial success at her peak was so overwhelming it felt like she transcended genre.) Does that actually make Vandross or Sade any more “rock” than Carey? Not really, but perhaps voters just need to squint a little less hard to view them as such.
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No Waiting for Women Rap Pioneers to Be Voted In
The induction of Queen Latifah and MC Lyte as early influences — after Salt-n-Pepa’s entrance in 2025 — suggests that the Rock Hall wants to make sure these bedrock women rappers get in without waiting for the voters to make it happen. Considering the Rock Hall’s famously shaky history with both women artists and old-school rappers, it makes sense: Lyte and Latifah are undoubtedly pivotal but have rarely gotten the same level of praise as many of their male peers; so holding out for them to be nominated and then inducted would’ve likely made for a lengthy wait.
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