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Slasher: A Unique Twist on the Classic Prom Night Massacre


Following the remarkable success of the Fear Street trilogy in 2021, fans have found themselves in a prolonged wait for further entries in this beloved horror franchise. The wave of nostalgia continues to gain momentum, and the horror genre has experienced a significant revival in recent years. Slashers are striking the ideal balance between nostalgia and visceral horror elements, captivating audiences. The production team behind Fear Street could easily churn out sequels at a pace reminiscent of literary icon R.L. Stine, whose works inspire the films, and they would undoubtedly enthrall viewers. Even with a different writer and director at the helm this time, the series retains its core substance, delivering exactly what audiences crave. While it may not break new ground in originality or creativity, it undoubtedly strikes all the right chords and holds the potential to evolve into a modern equivalent of Friday the 13th, with myriad sequels exploring the depths of its central narrative.

Fast forward four years, and the Fear Street saga expands with Prom Queen. This installment unfolds in the ill-fated town of Shadyside, a place cursed by a history of murder that dates back centuries. As high school seniors prepare for prom, the typical teenage rivalry and antics are overshadowed by the emergence of a sinister figure dressed in red, who begins to stalk and kill students. Drawing inspiration from classics like Carrie and Prom Night, this annual celebration of youth morphs into a vibrant yet terrifying backdrop for chaos and bloodshed, grounding the previously supernatural elements of the Fear Street franchise in a more relatable human experience.

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Discover the Thrilling Plot of ‘Fear Street: Prom Queen’

In contrast to the mid-credits scene of Fear Street Part Three: 1666, which hinted at a mysterious spellbook theft, Prom Queen diverges significantly from the earlier trilogy, sharing little more than a location with its predecessors. Set on Prom Night in 1988 within the cursed town of Shadyside, the film follows several girls vying for the coveted title of prom queen. Among them are the popular girls poised for victory, one grunge-inspired girl with an intimidating scowl, and the underdog, Lori Granger (India Fowler). Although her nomination raises eyebrows, the film foreshadows Lori’s tragic backstory, which unfolds through the relentless bullying delivered by the queen bee, Tiffany (Fina Strazza), ultimately revealing the darker layers of her character.

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Lori, like many residents of Shadyside, feels trapped by a perceived curse that seemingly condemns her to a life of disappointment. However, buoyed by her unexpected nomination for prom queen, Lori is determined to defy expectations and inspire change. During a conversation with her trendy, androgynous best friend Megan (Suzanna Son), Lori expresses her desire to believe that victory is possible for underdogs like her. Unbeknownst to her, the prom festivities take a dark turn as masked figures infiltrate the event, systematically eliminating the nominees, which might inadvertently pave the way for Lori’s ascent to the throne through sheer bloody coincidence.

Unraveling the Intriguing Mysteries Surrounding the Murders in ‘Prom Queen’

True to the essence of a classic slasher, Prom Queen masterfully keeps audiences guessing by casting suspicion across a diverse cast of characters. The film introduces a range of individuals, from students and teachers to overly involved parents, creating an engaging atmosphere of uncertainty as viewers ponder the identity and motives of the killer. Early on, it becomes evident that the perpetrator is not acting alone, leaving a web of possibilities for the audience to untangle. Just like its predecessors, the movie embraces gore, delivering thrilling moments filled with bloody action and creative effects, ensuring that it meets the expectations of slasher enthusiasts.

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However, the film does falter in its direction. The initial trilogy was helmed by Leigh Janiak, who brought a strong, cohesive vision to the screen. While Prom Queen is an entertaining entry, directed by Matt Palmer, it lacks the visual flair and distinct style that characterized the earlier films. Certain sequences, particularly the chase scenes, appear rather formulaic, reminiscent of countless other slasher films. Despite these shortcomings, the film maintains a solid structure, clocking in at a concise 90 minutes. It avoids dragging out the narrative, diving into the prom chaos quickly and maintaining a brisk pace that satisfies horror fans with timely and entertaining kills.

Outstanding Performances Shine in ‘Prom Queen’

A poster displaying the nominees for prom queen with six girls' pictures, Lori's having been graffitied with the word psycho in Fear Street: Prom Queen.

Image via Netflix

One of the most delightful surprises in Prom Queen is the standout performance of Fina Strazza, who breathes life into her role as a secondary character with such vigor and charisma that she practically steals the spotlight. With her signature pearl earrings and impeccably styled hair, she commands attention in every scene, embodying the entitled, spoiled nature of her character with a perfect blend of humor and authenticity. Strazza’s ability to oscillate between comedic exaggeration and genuine emotion not only makes her the film’s antagonist incredibly entertaining but also resonates with viewers who can recall similar figures from their own high school experiences. This delicate balance is a remarkable feat, and Strazza executes it flawlessly, establishing herself as a scene-stealer.

Complementing her performance is Katherine Waterston, portraying her mother Nancy, who serves as the ideal counterpart to her dramatic daughter. With a look that captures the essence of the 1980s’ worst fashion trends, she embodies a character reminiscent of a more villainous version of Regina George’s mom. Their dynamic offers entertaining moments, as the film provides just enough material for them to leave a memorable impact. Surprisingly, the character development in this teen slasher is one of its strongest aspects, demonstrating that even films designed for pure entertainment can incorporate a level of sophistication.

While Prom Queen may not redefine the genre, it stands out as a solid teen slasher film that successfully contributes to the ever-expanding universe of R.L. Stine. The Fear Street franchise has immense potential, as the foundational narrative of Shadyside allows for endless creative possibilities and directions for future installments. In a cinematic landscape dominated by the likes of Art the Clown, there’s a pressing need for reliable horror franchises that deliver accessible, engaging entertainment without veering into extreme territory. The Fear Street books, while established for decades, are finding new life through their screen adaptations, creating a fresh cinematic universe that invites audiences to delve into its lore. As the horror genre leans into the nostalgia of the 1980s, the emergence of new and exciting franchises like Fear Street is essential for revitalizing the landscape.

Fear Street: Prom Queen is set to premiere on Netflix on May 23.


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Fear Street: Prom Queen

This slasher with a classic prom setup may not offer anything new, but it is a very entertaining time.

Release Date

May 23, 2025

Director

Matt Palmer

Writers

Matt Palmer, Donald McLeary

Producers

Jenno Topping, Peter Chernin, Kori Adelson


  • Cast Placeholder Image

    India Fowler

    Lori Granger

  • Cast Placeholder Image



Pros & Cons

  • The movie is snappy and well-paced, never outstaying its welcome at 90 minutes.
  • A strong and varied cast gives some excellent performances, with Fina Strazza delivering an outstanding turn.
  • There are some great moments of comedy to offset the violence.
  • Matt Palmer’s direction is not as strong and focused as Leigh Janiak’s was in the first three movies.
  • Some elements are generic, leading to a less memorable experience.

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Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.

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