Swiss Journal of Research in Business and Social Sciences

Women's clothing

Texture Between Prints for Added Depth



Rosewater House Vest (sold out, similar here), Sea NY Pants (sold out, similar here), Manolo Blahnik Heels, Chanel Bag, Irene Neuwirth Necklace (similar, less expensive here), Hermes Scarf (similar here)

My favorite outfit equation usually starts with print, and then I use texture to add dimension. It gives a patterned look somewhere to land, something you notice after the color, so your eye travels through the mix instead of getting lost in it. In an outfit packed with color, something tactile makes the whole thing feel more considered, almost a resting point that lets you take in one vibrant pattern before moving on to the next.

Valentino Shirt, Gwen Bra Top, Alemais Pants (more sizes here, matching top here), Dries Van Noten Wedges, Savette Bag (more colors), Jenna Blake Elephant Pendant

That is also why texture works so well when you want to lean further into print. The right piece can move between patterns without every shade lining up exactly, which keeps a busy look feeling connected rather than competing with itself.

Embroidered Satin Slingbacks

Delicate embroidery and a vibrant satin finish make these a true statement pair.

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Lace Ruffle Blouse

The soft lace and romantic ruffles on this blouse add beautiful texture alongside printed separates.

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Printed Silk Wide Leg Pants

A flowing silhouette and layered print create rich dimension with every step.

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The post A Little Texture Between Prints appeared first on Julia Berolzheimer.

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Sarah Parker
Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.