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Tom Hardy’s Revenge Western Remains a Streaming Sensation

Sarah Parker Posted on October 1, 2026

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2026 has been a relatively quiet year for Tom Hardy, at least until a few weeks ago, when he returned to star as Harry Da Souza in the second season of the Paramount Plus crime thriller, MobLand. Hardy filmed his scenes for Season 2, but there was growing concern that he would not return to star in Season 3 after reports surfaced online of a rift that had formed between him and one of the show’s leading producers. Fortunately for MobLand fans, these tensions have been smoothed over, and Hardy is expected back in Season 3 of the show, which has already been confirmed. It’s been only a few weeks since the second season of MobLand hit streaming, but it’s still taking over the world as one of the most-watched titles on Paramount Plus.

Hardy is best known for starring in legendary sci-fi thrillers in the 2010s like Inception and Mad Max: Fury Road, but later in his career, he took on the role of Eddie Brock in the Venom movies, which has become what many fans know him for. Hardy has never won an Oscar at any point in his career, but he was nominated once for his supporting performance in The Revenant, the 2015 sprawling Western epic co-starring Leonardo DiCaprio and Domhnall Gleeson. Hardy’s great performance as John Fitzgerald in the film is overshadowed by Leonardo DiCaprio’s role as Hugh Glass, as it marked the first time in history that DiCaprio won an Oscar for his performance in a film. 11 years after leaving theaters, The Revenant has landed on the streaming platform HBO Max, and it’s one of the top 10 most-watched titles on the platform.

Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?
Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country

Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.

Parasite

Everything Everywhere

Oppenheimer

Birdman

No Country for Old Men

FIND YOUR FILM →

01

What kind of film experience do you actually want?
The best movies don’t just entertain — they leave something behind.

ASomething that pulls the rug out — that makes me think I’m watching one kind of film and then reveals I’m watching another entirely.
BSomething overwhelming — funny, sad, absurd, and genuinely moving, all at once.
CSomething grand and weighty — a film that makes me feel the full scale of what I’m watching.
DSomething formally daring — a film that pushes what cinema can even do.
ESomething lean and relentless — pure tension with no wasted frame.

NEXT QUESTION →

02

Which idea grabs you most in a film?
Great films are driven by a central obsession. What’s yours?

AClass, inequality, and what people are willing to do when desperation meets opportunity.
BIdentity, family, and the chaos of trying to hold your life together when everything is falling apart.
CGenius, moral responsibility, and the catastrophic weight of a decision you can never take back.
DEgo, legacy, and the terror of becoming irrelevant while you’re still alive to watch it happen.
E Evil , chance , and whether moral order actually exists or if we just tell ourselves it does.

See also  Sex Criminals series coming soon to Prime Video

NEXT QUESTION →

03

How do you like your story told?
Form is content. The way a story is shaped changes what it means.

A Genre-twisting — I want it to start in one lane and migrate into something completely different.
B Maximalist and genre-blending — comedy , action , drama , sci-fi , all in one ride.
C Epic and non-linear — cutting between timelines , building a mosaic of cause and consequence.
D A single unbroken flow — I want to feel like I’m living it in real time , no cuts to safety.
E Spare and precise — every scene doing exactly what it needs to do and nothing more.

NEXT QUESTION →

04

What makes a truly great antagonist?
The opposition defines the protagonist. What kind of opposition fascinates you?

A A system — invisible , structural , and almost impossible to fight because it has no single face.
B The self — the ways we sabotage , abandon , and fail the people we love most.
C History — the unstoppable momentum of events that no single person can stop or redirect.
D The industry — the machinery of culture that chews up talent and spits out irrelevance.
E Pure , implacable evil — a force so certain of itself it becomes almost philosophical.

NEXT QUESTION →

05

What do you want from a film’s ending?

The final note is the one that lingers. What do you want it to sound like?

A Shock and inevitability — a conclusion that recontextualises everything that came before it.

B Earned emotion — I want to cry , laugh , and feel genuinely hopeful , even if the world is a mess .

C Devastation and grandeur — an ending that makes me sit in silence for a few minutes after .

D Ambiguity — something that leaves enough open that I’m still thinking about it days later .

E Bleakness — an honest refusal to pretend the world is tidier than it actually is .

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