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U.S. Tour Dates Announced by The Beths with New Single ‘Metal’

Exciting Developments from New Zealand’s Indie Sensation The Beths: New Music, New Label, and Upcoming Tours

The dynamic indie rock quartet, The Beths, hailing from Auckland, is poised to embark on an exhilarating new chapter in their musical journey. This week, they made waves with the release of their latest single, “Metal,” marking their first foray into fresh sounds since the expanded edition of their acclaimed 2023 album, Expert in a Dying Field. This original record achieved an impressive peak of no. 6 on the Heatseekers chart, and the reissue also introduced the new track “Watching the Credits,” which gained recognition by being featured on Barack Obama’s 2023 summer playlist. The excitement surrounding their new single signals a promising return for the band.

In conjunction with their return in 2025, The Beths have proudly announced their signing with ANTI-, a sister label of Epitaph, suggesting that fans can anticipate the imminent release of their highly anticipated fourth studio album. While details remain under wraps, the band has provided a tantalizing preview of their new musical direction with the single “Metal.” This track encapsulates the raw emotions and experiences that vocalist and guitarist Elizabeth Stokes has navigated during a tumultuous period filled with rigorous touring, personal mental health challenges, and various diagnoses.

Discover More About The Beths and Their Musical Journey

Explore The Beths’ Latest Music and Tours


Stay Updated with The Beths’ Latest Videos, Charts, and News

Stay Updated with The Beths’ Latest Videos, Charts, and News

“In some ways, ‘Metal’ serves as a profound exploration of the experience of being alive and existing within a human body,” Stokes elaborates. “This awareness has intensified for me over the last few years, during which I have been on what one could describe as a ‘health journey.’ It has been a process of self-discovery and reflection.”

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“For significant portions of the past few years, I felt as though my body was merely a vehicle that had served me well thus far but was gradually breaking down—something I felt largely powerless to control,” she reflects. “The intricacies of life resemble a Rube Goldberg machine, where each improbable step leads us to this moment. My curiosity about the world and myself fuels my desire to learn, and despite my body feeling like a malfunctioning machine, I continue to marvel at its complexity and resilience.”

“I can simultaneously hold this knowledge in one hand, while with the other, I can point at my reflection, criticizing myself as ‘you are s–t’ or ‘ugly’ or ‘worthless,’” Stokes shares. “I often find myself responding to any suggestion that I might achieve even the smallest accomplishment with a firm ‘no.’ These sentiments are variations of the ‘short word’ referenced within the song, encapsulating the struggle of self-acceptance and the journey towards self-love.”

Furthermore, The Beths have revealed plans for an extensive global tour that will kick off in the U.K. in September, followed by a series of exhilarating shows across Europe. The tour will culminate in a robust 26-date series of performances throughout North America from October to November, providing fans with numerous opportunities to experience their electrifying live shows.

Mark Your Calendars for The Beths – 2025 North American Tour

Oct. 30 – The Orange Peel, Asheville, NC
Oct. 31 – Variety Playhouse, Atlanta, GA
Nov. 1 – Brooklyn Bowl, Nashville, TN
Nov. 3 – The Studio at the Bomb Factory, Dallas, TX
Nov. 4 – Emo’s, Austin, TX
Nov. 6 – The Van Buren, Phoenix, AZ
Nov. 7 – The Wiltern, Los Angeles, CA
Nov. 8 – The Fillmore, San Francisco, CA
Nov. 12 – Ace of Spades, Sacramento, CA
Nov. 14 – Crystal Ballroom, Portland, OR
Nov. 15 – The Moore Theatre, Seattle, WA
Nov. 16 – Commodore Ballroom, Vancouver, British Columbia
Nov. 18 – Metro Music Hall, Salt Lake City, UT
Nov. 19 – Ogden Theatre, Denver, CO
Nov. 21 – The Truman, Kansas City, MO
Nov. 22 – Palace Theatre, Saint Paul, MN
Nov. 23 – The Salt Shed, Chicago, IL
Nov. 25 – Globe Iron, Cleveland, OH
Nov. 26 – Roxian Theatre, Pittsburgh, PA
Nov. 28 – Danforth Music Hall, Toronto, Ontario
Nov. 29 – Beanfield Theatre, Montreal, Quebec
Dec. 2 – Royale, Boston, MA
Dec. 3 – Fete Music Hall, Providence, RI
Dec. 5 – Brooklyn Paramount, Brooklyn, NY
Dec. 6 – Union Transfer, Philadelphia, PA
Dec. 9 – 9:30 Club, Washington, D.C.

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Sarah Parker is a research analyst and content contributor with a strong interest in business strategy, organizational behavior, and social development. With a background in sociology and public policy, she focuses on exploring the intersection between research and real-world application. Sarah regularly contributes articles that bridge academic insights and practical relevance, aiming to foster critical thinking and innovation across sectors.

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