Key Insights
- Chart Performance: Ella Langley’s “Choosin’ Texas” has spent 11 weeks at No. 1 on the Billboard Hot 100.
- Record Achievement: The song is now the longest-leading Hot 100 No. 1 by a woman with a country hit.
- Streaming Success: “Choosin’ Texas” achieved 25.5 million official streams during the tracking week.
- Top 10 Overview: The current top 10 includes significant entries from artists like Taylor Swift and Olivia Rodrigo.
Ella Langley’s “Choosin’ Texas” rebounds a spot for another history-making week atop the Billboard Hot 100.
With an 11th week in command, the song becomes the sole longest-leading Hot 100 No. 1 by a woman with a country hit, defined as those that have hit Billboard’s multimetric Hot Country Songs chart. It breaks out of a tie with Debby Boone’s “You Light Up My Life,” which dominated the Hot 100 for 10 weeks (becoming the first song to reign for double-digit weeks) and reached No. 4 on Hot Country Songs in 1977.
(Also of note, Dolly Parton wrote “I Will Always Love You,” which Whitney Houston took to No. 1 on the Hot 100 for 14 weeks in 1992-93. Parton sent two versions of the revered ballad to the top of Hot Country Songs, in 1974 and 1982.)
“Choosin’ Texas” tops Hot Country Songs for a 29th week.
The hit adds another unprecedented feat: Langley’s first Hot 100 leader stakes its sixth distinct stay at No. 1, previously leading on charts dated Feb. 14; March 7 and 21-28; April 11-25; and May 9-23. It solely claims the most separate No. 1 stays over a single release cycle, one-upping the five flights for Morgan Wallen’s “Last Night” in 2023 and Harry Styles’ “As It Was” in 2022. (Overall, Mariah Carey’s “All I Want for Christmas Is You” leads with eight ascents to No. 1 over 2019-25.)
Amid the No. 1 run on the Hot 100 for the resilient “Choosin’ Texas,” eight other songs have taken turns at the top: Bad Bunny’s “DtMF”; Taylor Swift’s “Opalite;” Bruno Mars’ “I Just Might”; BTS’ “Swim”; Olivia Rodrigo’s “Drop Dead”; Drake’s “Janice STFU”; Ariana Grande’s “Hate That I Made You Love Me”; and Swift’s “I Knew It, I Knew You.” (The reigns of “Last Night” and “As It Was” were interrupted by six No. 1s each.)
Read on for details of the entire top 10 on this week’s Hot 100.
The Hot 100 blends all-genre U.S. streaming (official audio and official video), radio airplay and sales data, the lattermost metric reflecting purchases of physical singles and digital tracks from full-service digital music retailers; digital singles sales from direct-to-consumer (D2C) sites are excluded from chart calculations. All charts dated July 4, 2026, will update on Billboard.com tomorrow, June 30. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram. Plus, for all chart rules and explanations, click here.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
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‘Choosin’ Texas’ Streams, Airplay & Sales
“Choosin’ Texas,” on SAWGOD/Columbia Records, with Triple Tigers having promoted it to country radio, totaled 25.5 million official streams, 48.2 million radio airplay audience impressions (essentially even in both metrics week over week) and 8,000 sold (up 4%) in the United States June 19-25.
The single rebounds a spot for a 12th week atop the Streaming Songs chart; dips to No. 6 from its No. 4 high on Radio Songs; and rises one place for a tenth week atop Digital Song Sales.
“Choosin’ Texas” also spends a scorching fourth week at No. 1 on the Songs of the Summer chart.
The song received new exposure during the tracking week via Langley’s taped CMA Fest performance that aired June 25 on ABC.
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Rest of Top 10: Older But Still ‘Knew’
Swift’s “I Knew It, I Knew You” descends to No. 2 after spending its first two weeks on the Hot 100 at No. 1. (It has the most total sales for the week: 41,000, with 35,000 from vinyl copies.)
Langley tallies two more songs in the Hot 100’s top ten: “Be Her” rises from fifth to third after reaching second place — she also performed it during CMA Fest — and “I Can’t Love You Anymore,” with Wallen, climbs from fourteenth to ninth after reaching seventh place.
Notably, this week marks the first in the Hot 100’s history in which women hold the top three positions with country songs, thanks to Langley and Swift.
Two Olivia Rodrigo songs rank in the Hot 100’s top ten: “Stupid Song,” which slips from third to fourth in its second week, and “Drop Dead,” down from fourth to fifth after it led in its debut week in early May. The tracks’ parent album, you seem pretty sad for a girl so in love, scores a second week at No.1 on the Billboard200.
Drake’s “Janice STFU” lifts from seventh to sixth after spending its first two weeks on the Hot100 at No.1 beginning in late May. It notches a sixth week each atop the multimetric Hot R&B/Hip-Hop Songs and Hot Rap Songs charts.
Grande’s “Hate That I Made You Love Me” pushes from eighth to seventh three weeks after it debuted at No.1 on the Hot100.
Olivia Dean’s “Man I Need” is up from tenth to eighth on the Hot100 after reaching second place.
Rounding out the Hot100’s top ten, Tame Impala and JENNIE’s “Dracula” levitates back to its peak position (eighteenth to tenth), as it leads the multimetric Hot Dance/Electronic Songs chart for a twenty-fifth week and Hot Rock & Alternative Songs for a seventh week.
