When John Lennon was murdered outside his home in New York City in 1980, the shock and grief was felt worldwide. Sometimes, when a public figure is so large and universal, it’s hard to remember that he was also a person with loved ones who mourned him even more than fans did around the world. Paul McCartney was one of them. When Lennon died, The Beatles had been broken up for ten years, and he and McCartney’s bitter feud was fresh in people’s minds. So, a lot of people speculated that there was no love lost between them.
But people didn’t know everything that went on behind the scenes. In reality, the former bandmates had reconciled in the mid-’70s, and Lennon’s tragic death was a huge blow for McCartney. No matter what happened between them, they had been best friends since they were teenagers, had created the greatest band in the world together, and their bond was one that transcended any argument or feud. And this song is proof of that.
Paul McCartney’s Love Song to John Lennon
John Lennon died on December 8, 1980, and immediately after he heard the tragic news, Paul McCartney locked himself in his studio. By the time he came out, reporters were surrounding him, eager to get his reaction. They immediately asked him what he was doing in the studio, and he said he just “didn’t want to sit at home.” He cut the conversation short by saying, “It’s a drag, isn’t it? Okay, cheers.” People eviscerated him for this reaction, taking it to mean that he truly didn’t care about his former songwriting partner when in truth, it was just the pained response of a person shocked by grief.
Shortly after his friend’s death, McCartney did what he does best: he went back to work. He found refuge in his attic in his home in Sussex, and there, alone with his acoustic guitar, he started writing “a love song to John.”
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What does your ideal Friday night look like?
<ALoud bar, cold beer, cranked jukebox — the louder the better.BA smoky club, good company, and doing whatever feels right in the moment.CIntense concert or staying in with headphones — nothing in between.DSomething theatrical — a show, a dinner party, an experience worth remembering.EHanging with close friends, maybe making music, keeping it relaxed and genuine.
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<>What’s your philosophy on keeping things simple vs. complex?
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<>How do you want to be remembered?
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><>A>As someone who never let the energy drop — relentless loud and alive.< <>B>As someone who lived fully on my own terms unapologetically.<<>C>As someone who was brutally honest made music that meant something real.<<>D>As someone who transcended genres boundaries expectations entirely.<<>E>As someone who changed the world left it genuinely better than I found it.
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><APeople who are there to have a blast no pretension just pure fun noise.BA mix of rebels free spirits who don’t take themselves too seriously.CA loyal passionate crew who are all in intensity over numbers every time.DEveryone I want to unite people who wouldn’t normally be in the same room.EPeople who appreciate craft feel genuinely connected by music.
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<<ANever change formula if it works works consistency everything.span>BStay hungry stay dangerous always keep bit rebellious edge.span>CEarn respect through dedication work live show speak themselves.span>DReinvent constantly never let anyone put box predict next move.span>EWrite songs good can’t ignored any decade any context.
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<<ANever change formula if it works works consistency everything.span>BStay hungry stay dangerous always keep bit rebellious edge.span>CEarn respect through dedication work live show speak themselves.span>DReinvent constantly never let anyone put box predict next move.span>EWrite songs good can’t ignored any decade any context.
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You’re playing to80 ,000 people What does your performance look like?
<<A wall sound sweat pure unfiltered energy from first note last.span>BLoose cool dangerous every song feels like might fall apart but never does.span>CBrutal precision tight powerful leaving no one unmoved.span>DFull spectacle lights costumes vocal acrobatics total theatrical command.span>EWarm joyful tight crowd singing every word back at you.
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“I was remembering things about our relationship and about the million things we’d done together,” McCartney recalls in his book,The Lyrics:1956 to Present. Going through those memories everything from their hitchhiking adventures as teenagers to their huge accomplishments with The Beatles McCartney wrote “Here Today,” which is essentially one last conversation where he finally tells him everything he wishes he could have said.
“But as for me/I still remember how it was before/And I am holding back tears no more/I love you,” he sings in the bridge. In his book McCartney explains that in the ’50s and ’60s boys were encouraged to hide their feelings behind cynicism so he never dared to tell his best friend he loved him and wishes he could have so he tells him in song.
Paul McCartney Still Plays This Song at Every Show
“Here Today,” came out on McCartney’s1982 album,Tug of War.,and to this day has its own special moment during McCartney’s live shows. It’s a song that is always a little hard for him to get through because all those feelings of grief come rushing back to him.
“It was very emotional writing this song,” McCartney explained. “I was just sitting there in that bare room thinking of John realizing I’d lost him. And it was powerful loss so to have conversation with him song some form solace Somehow I was with him again.’And if I say/I really loved you,’—there it is I’ve said it Which I would never have said to him.”
It is always very charged moment in Paul McCartney concert since Beatle seems recreating moment scene which wrote song Lights lowered just acoustic guitar dark Only this time instead being alone grief surrounded thousands people can see crying with supporting him John Lennon’s influence McCartney’s music everlasting even now thinks partnership writing new songs This last conversation both sweet heartbreaking although sad never got tell person much meant through song whole world knows.
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