Renowned filmmaker Robert Eggers has expressed his strong aversion to creating films that incorporate modern technology, firmly stating that he has no plans to include scenes featuring cars or cell phones in his cinematic works. This decision underscores his commitment to crafting authentic period pieces that transport audiences to different eras, free from the distractions of contemporary life.
In a world saturated with technology, Robert Eggers stands out by emphasizing the beauty of simplicity in storytelling. He observes that modern films often rely heavily on technology to develop their narratives, which he finds unappealing. In a recent interview with Rotten Tomatoes, Eggers candidly stated, ?The idea of having to photograph a car makes me ill. And the idea of photographing a cellphone is just death.? This passionate declaration highlights his preference for narratives that are untainted by the overwhelming presence of modern devices, advocating for a return to storytelling that resonates with the past.
Examining the historical context of Eggers’ films reveals a fascinating dedication to authenticity. His previous works, such as The Northman, are set in 895, while The Lighthouse takes place in the 1890s, indicating a consistent choice of historical settings, with an average timeframe around the 1560s. This pattern suggests that audiences can expect films rich in historical detail and devoid of modern conveniences, allowing for a more immersive experience that encourages viewers to engage with the narrative on a deeper level.
Looking ahead, the implications of Eggers’ artistic choices for his future projects are intriguing. Following his adaptation of Nosferatu, he is set to direct Werwulf, which is confirmed to be set in the 13th century. This commitment to historical accuracy is commendable. However, there?s curiosity surrounding his potential sequel to the classic Labyrinth. Given that the original film was contemporary for its time, it raises questions about how Eggers will navigate this challenge. Unless he enforces a whimsical no-cell phone policy within the labyrinth, it will be interesting to see how he merges the fantastical elements with his signature historical style.
So far, the details surrounding Werwulf have been captivating. It has been noted that ?The script also features dialogue that was true to the time period and has translations and annotations for those uninitiated to Old English.? Initially, Eggers contemplated filming in black and white, but this vision has evolved. Given the setting and dialect, audiences can anticipate another intense journey into a gritty, costumed, and visceral historical narrative, reinforcing his status as a director who deeply immerses viewers in the time periods he portrays, ultimately enriching the cinematic experience.
As fans anticipate Eggers’ next cinematic venture, the question arises: What is your favorite film by Robert Eggers? His unique storytelling approach continues to captivate audiences, fostering a growing appreciation for his craft.
